Radical Consciousnesses: Stylistic innovation and progressive politics in fin-de-siècle periodicals 1890- 1920

对英国现代主义的挥之不去的叙述意味着，形式上的创新是在一小部分作家的作品中实现的，这些作品现在被奉为圣典，对现代性和大众文化的恐怖进行了抨击。这项研究认为，在法国，新兴的印刷文化实际上表明了对革命政治和创作自由的前所未有的支持。本项目探讨了1890-1920年间，激进作家如何在反文化杂志的文学空间中探索现代性的心理体验，并在此过程中解决了在这个迷人时代的学术探索中“高度现代主义”的前景问题。

The lingering narrative of British modernism implies that formal innovations were achieved in the now canonised works of a small coterie of writers, railing at the horrors of modernity and mass culture. This research contend that a burgeoning print culture at the fin-de-siècle actually indicates unprecedented support for both revolutionary politics and creative freedom. This project examines how radical writers explored psychological experiences of modernity in literature given space in counter-cultural magazines between 1890-1920, and in doing so address issues of foregrounding 'high modernism' in scholarly explorations of this fascinating era.