Adoption, Adaptation, Reformation: Transnational narratives and their audiences in 'Renaissance' Scotland

采用、改编、改革：“文艺复兴”苏格兰的跨国叙事及其受众

• 批准号: 2886688
• 金额: --
• 依托单位: University of Glasgow
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2023
• 资助国家: 英国
• 起止时间: 2023 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2886688
• 关键词: Adoption; Adaptation; Reformation; Transnational; narratives

The pre-1603 'Golden Age' of Scottish literature produced provocative texts whose intellectual and meta-fictional complexity indicates sophisticated authors and audiences. Scottish authors adapted Continental texts in ways that encouraged readers' participation in developing textual meaning, while simultaneously directing them towards implied interpretations. This author-audience interaction, however, remains unexamined. My research assesses how selected texts addressed their audiences' capacity for critical engagement, evolving a dialogical mode of interpretation, and examines the assimilation of European-Scottish cultures into the confident vernacular literature espoused by the works of Robert Henryson, Gavin Douglas, and John Stewart, which - to this day - distinguishes a national textual community

1603年前的苏格兰文学的“黄金时代”产生了具有煽动性的文本，其知识分子和元小说的复杂性表明了复杂的作者和观众。苏格兰作家改编大陆文本的方式，鼓励读者参与发展文本意义，同时引导他们走向隐含的解释。然而，这种作者与观众的互动仍然没有得到研究。我的研究评估了选定的文本如何解决观众的批判参与能力，发展对话性的解释模式，并考察了欧洲-苏格兰文化融入罗伯特·亨利森（Robert Henryson）、加文·道格拉斯（Gavin Douglas）和约翰·斯图尔特（John Stewart）的作品所倡导的自信白话文学的同化，直到今天，这仍然是一个国家文本社区的特色