Philosophy in Rehearsal, 1950-1980

排练中的哲学，1950-1980

• 批准号: 2889135
• 金额: --
• 依托单位: University of Cambridge
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2023
• 资助国家: 英国
• 起止时间: 2023 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2889135
• 关键词: Philosophy; Rehearsal; 1950; 1980

This project concerns itself with the changing relation(s) between theatrical and philosophicalpraxes, 1950-1980, to show how the theatrical rehearsal emerges as a mode of philosophicalinquiry across a number of traditions in European and Anglo-American thought (broadly construed).While a dependence on the theatre as a figural and/or metaphorical resource and, more generally, its conceptual importance to post-war philosophy is coming to be increasingly well-charted (Pucher 2010; Boundas and Olkowski 1994; Cull 2009; Fisher and Gotman 2019), this project makes the first attempt to examine the 'theatrical turn in theory' at the level of praxis. It will focus on the emergence of more formally 'theatrical' philosophical practices, in which philosophical production is closely identified with processes of theatrical production, newly conceived as both philosophical method and technique of thought. Running counter to conceptions of this period as one which understands philosophical thought as a semiological and/or poetic procedure bound to the text of philosophy, this project attempts to recover a parallel history of material and/or embodied practices of philosophical thinking, as they emerge from rehearsal rooms in New York, London, Paris and Berlin

这个项目关注1950-1980年间戏剧和哲学之间不断变化的关系，以展示戏剧排练是如何作为一种哲学探究的模式出现在欧洲和英美思想的许多传统中的（广义解释）。虽然依赖戏剧作为一种形象和/或隐喻资源，更普遍地说，它的概念对战后哲学的重要性越来越明确（Pucher 2010; Boundas和Olkowski 1994; Cull 2009; Fisher和Gotman 2019），该项目首次尝试在实践层面上考察“理论中的戏剧转向”。它将集中在更正式的“戏剧”哲学实践的出现，其中哲学生产与戏剧生产过程密切相关，被新设想为哲学方法和思想技术。这一时期的哲学思想被认为是一种与哲学文本相联系的符号学和/或诗学程序，与此相反，本项目试图恢复哲学思想的物质和/或具体实践的平行历史，因为它们出现在纽约、伦敦、巴黎和柏林的排练室中