Musical Transformations: Collaborative music making with people of marginalised genders

音乐变革：与边缘化性别人士合作创作音乐

• 批准号: 2891450
• 金额: --
• 依托单位: Goldsmiths University of London
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2023
• 资助国家: 英国
• 起止时间: 2023 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2891450
• 关键词: Musical; Transformations; Collaborative; music; making

This research explores how collaborative music making is created by, and can create, spaces of care and collective resistance that challenge systems of power and gender inequality. It offers a contribution at the intersection of anthropology, ethnomusicology, popular music studies, gender studies, and music sector policymaking and practice. My position as a musician, anthropologist and worker at a music charity enables me to bring together different but connected sites/groups of people: grassroots music charity Girls Rock London (which provides music making opportunities for women, girls, and trans and non-binary people), queer-feminist band Glorybox, and a range of musicians and music organisers. I am taking an ethnographic approach: a long-term, qualitative method grounded in the perspectives of research participants, including myself, as a Girls Rock London trustee and Glorybox bandmember. My 'fieldwork' comprises participation in Glorybox rehearsals, performances and residencies, and Girls Rock London workshops, events and meetings. I will also lead interviews with Glorybox members; Girls Rock London project participants, staff and volunteers; and a range of musicians and music organisers. Placing self-organised music making in conversation with the arts, music education, charity and commercial music sectors, this research aims to investigate and strengthen connections between those sectors and anthropology; support and improve the practice of organisations using music to address exclusions experienced by young people and adults of marginalised genders; ground practice and policy in theory and research; and contribute to research that is grounded in the lived experiences and perspectives of people of marginalised genders.

这项研究探讨了协作音乐的制作是如何由护理和集体阻力创造的，并可以挑战权力和性别不平等制度的集体抵抗。 它在人类学，民族音乐学，流行音乐研究，性别研究以及音乐部门的决策和实践的交集中提供了贡献。我在音乐慈善机构担任音乐家，人类学家和工人的地位使我能够将不同但相互联系的站点/人组合在一起：基层音乐慈善机构Girls Rock London（为女性，女孩，跨性别者和非二元人提供音乐机会），酷儿乐队Glorybox，以及一系列音乐家和音乐组织者。我正在采用一种民族志方法：一种基于研究参与者（包括我本人）的长期定性方法，作为伦敦女子岩石受托人和Glorybox Bandmember。我的“现场工作”包括参加Glorybox彩排，表演和居住，以及伦敦女子摇滚伦敦的研讨会，活动和会议。我还将领导与Glorybox成员的访谈；伦敦女子岩石项目参与者，员工和志愿者；以及各种音乐家和音乐组织者。这项研究旨在调查和加强这些领域与人类学之间的联系，将自组织的音乐制作放置在与艺术，音乐教育，慈善和商业音乐领域的交谈中。支持和改善使用音乐的组织实践，以解决边缘性别的年轻人和成年人所经历的排他性；理论和研究中的地面实践和政策；并为基于边缘性别的人的生活经验和观点而促进研究。