'It's Not the End of the World: Nonlinear Time and Neurodivergent Making.

根据我对神经发散时间感知的生活经验，这个基于实践的研究将探讨当代艺术家如何使用非线性时间和基本技术来创造对投机世界的科幻想象。因此，我的项目提出了这样一个问题：作为一种创造世界的方式，需要什么样的艺术实践形式来表达和体现神经发散的体验？患有注意力缺陷/多动障碍（ADHD）、复杂创伤后应激障碍（cPTSD）和运动障碍的生活激发了我的残疾或“残缺”信息思维，这些思维与参与DIY亚文化促进互助一起，为我的雕塑作品中的科幻世界创造提供了信息。我把非线性时间作为适应典型神经世界的生存工具。在这里，艺术实践通过即兴或重新想象的技术来描绘其他潜在的世界。“时间感觉”是创伤幸存者的一种常见体验，Tulving（2002）将其描述为“精神时间旅行”。多动症经常让我感受到非单一的时间性（感知自己在不止一个地方或时间），这是一种活生生的体验，但还不能用科幻小说的术语来完全描述。这将是我研究的重点。通过参与自主朋克和DIY活动，我见证了集体努力和目标的生存，最明显的是参与者代表着无法获得主流支持的边缘化社区。现代性对线性时间和进步的要求，以及通过预期里程碑实现社会进步的普遍观念，都被不同的生活和非规范的时间观念所困扰，比如“蹩脚时间”（Kafer, 2013）或“酷儿时间”（Halberstam, 2005）。我将制作一系列艺术实践和同行研究，结合创造性的语境写作，研究我和其他人的神经发散性生活经历是如何与技术时代错误和时间循环的后世界末日主题相交的。我将在自己的作品中利用这些主题作为思想实验的生产基础，将DIY和自我组织的知识与社会科幻小说的对象，习俗和民间信仰结合起来

Drawing on my lived experience of neurodivergent time perceptions, this practice-based research will explore how contemporary artists use non-linear temporalities and rudimentary technologies to create science-fictive imaginings of speculative worlds. My project thus asks: what forms of art practice are needed to articulate and embody neurodivergent experiences as a way of world-making?Living with Attention Deficit/Hyperactivity Disorder (ADHD), complex Post-Traumatic Stress Disorder (cPTSD) and Dyspraxia motivates my disability- or 'crip'-informed thinking, which, alongside involvement in DIY subcultures promoting mutual aid, informs the science-fictive worldmaking in my sculptural work. I embrace non-linear temporalities as survival tools in adapting to a neurotypical world. Here, art practice depicts other potential worlds through improvised or re-imagined technologies. 'Chronesthesia' is a common experience for trauma survivors, described by Tulving (2002) as 'mental time travel'. ADHD often lends me the perception of non-unitary temporality (perceiving oneself in more than one place or time), a lived experience yet to be fully described in science-fictive terms. This will be a key focus of my research. Through involvement in autonomous punk and DIY initiatives, I have witnessed survival through collective effort and purpose, most obviously when participants represent marginalised communities who cannot find mainstream support. Modernity's requirement for linear time and progress, and prevalent notions of societal advance through expected milestones, are problematized by divergent lives and non-normative temporal perceptions, such as 'crip time' (Kafer, 2013) or 'queer time' (Halberstam, 2005).I will produce a body of artistic practice and peer research, integrated with creative contextual writing, examining how my neurodivergent life experiences and those of others intersect with post-apocalyptic motifs of technological anachronism and temporal looping. I will utilise these motifs as productive grounds for thought experiments in my own works, employing knowledge of DIY and self-organisation alongside the objects, customs and folk beliefs of social science fiction