Painting and Politics in Postwar France: The Battle for the Ecole de Paris (1944-1964)

战后法国的绘画与政治：巴黎学院之战（1944-1964）

• 批准号: 111809/1
• 负责人: Natalie Adamson
• 金额: $ 1.79万
• 依托单位: University of St Andrews
• 依托单位国家: 英国
• 项目类别: Research Grant
• 财政年份: 2006
• 资助国家: 英国
• 起止时间: 2006 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=111809%2F1
• 关键词: Painting; Politics; Postwar; France; Battle

This study reconstructs the history of the group of painters known as the Ecole de Paris during the postwar period in France. It shows that the Ecole de Paris dominated the production and reception in modern painting, driven by powerful historical and ideological motivations. Through the analysis of art criticism, painting, and curatorial policy, the study set the artists and paintings of the Ecole de Paris in relations to debates on the validity of foreign contributions to the national tradition, the resurgence of the avant-garde, the interpretation of abstraction, and the impact of Cold War ideology upon art practice.

本研究重建了战后法国巴黎画院的历史。这表明，巴黎高等学校在强大的历史和意识形态动机的驱动下，主导了现代绘画的生产和接受。通过对艺术批评、绘画和策展政策的分析，本研究将巴黎艺术学院的艺术家和绘画与关于外国对民族传统的贡献的有效性、先锋派的复兴、抽象的解释以及冷战意识形态对艺术实践的影响的辩论联系起来。

项目成果

Painting, Politics and the Struggle for the -ole de Paris, 1944-1964

绘画、政治和巴黎的斗争，1944-1964

• 发表时间: 2009
• 作者: Adamson Natalie