Steps Across the Border: Music and Narration in the Fiction Film

跨越国界的脚步：虚构电影中的音乐与旁白

• 批准号: 113176/1
• 负责人: Guido Heldt
• 金额: $ 1.79万
• 依托单位: University of Bristol
• 依托单位国家: 英国
• 项目类别: Research Grant
• 财政年份: 2006
• 资助国家: 英国
• 起止时间: 2006 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=113176%2F1
• 关键词: Steps; Across; Border; Music; Narration

The project explore the relationship between diegetic and nondiegetic film music - between music that issues from a source within the story shown, and music that comes from outside that story and is a part of its showing. As simple as the distinction is, as playfully have directors and composers crossed or blurred the border between the modes. The project will show that this cross - border relationship is the key means by which music is woven into the narrative fabric of a film; and it will argue that because music can cross the border so easily, it can affect this narrative structure in unique ways.

该项目探索了具有争议性和非争议性的电影音乐之间的关系--从所展示的故事中的来源发出的音乐，以及来自故事之外并作为其放映一部分的音乐之间的关系。尽管区别很简单，但导演和作曲家开玩笑地跨越或模糊了模式之间的边界。该项目将展示这种跨界关系是将音乐编织到电影叙事结构中的关键手段；它还将辩称，由于音乐可以如此轻松地跨越边界，它可以以独特的方式影响这种叙事结构。

项目成果

' there's no music playing, and it's not snowing' Songs and Self-reflexivity in Curtisland

“没有音乐播放，也没有下雪”柯蒂斯兰的歌曲和自我反思

• DOI: 10.3828/msmi.2012.7
• 发表时间: 2012
• 期刊: Music, Sound, and the Moving Image
• 作者: Heldt G

Playing Mozart : Biopics and the musical (re)invention of a composer

演奏莫扎特：传记片和作曲家的音乐（重新）发明

• DOI: 10.3828/msmi.3.1.2
• 发表时间: 2009
• 期刊: Music, Sound, and the Moving Image
• 作者: Heldt G