Carrlands: mediated manifestations of site-specific performance in the Ancholme valley, North Lincolnshire

Carrlands：北林肯郡安乔姆山谷特定地点表现的介导表现

• 批准号: AH/E502458/1
• 负责人: Michael Pearson
• 金额: $ 4.68万
• 依托单位: Aberystwyth University
• 依托单位国家: 英国
• 项目类别: Research Grant
• 财政年份: 2006
• 资助国家: 英国
• 起止时间: 2006 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=AH%2FE502458%2F1
• 关键词: Carrlands; mediated; manifestations; site; specific

The aim of Carrlands is to create a series of related site-specific performances over a period of twelve months, for three locations in the agricultural valley of the river Ancholme in North Lincolnshire. Such performances represent both an innovative mode of enquiry and a research output, within the field of Performance Studies.In integrations of academic research procedures and professional, aesthetic practices, the project will:- Develop a methodology for the examination and explicitation of the complexities of landscape, as it is variously and diversely defined and studied.- Advance the interdisciplinary apprehension of landscape, within a performative medium that can facilitate rapid shifts in attention to, and account of, place.- Enhance and stimulate public appreciation and understanding of landscape, through the inclusion of the perceptions of disciplinary expertise within an accessible performative framework.- Strengthen local and regional regard for landscape through providing opportunities for participation in a) the generation of performative material; b) the reception of that material in performance; c) the monitoring of effects.- Create performative interventions that can include the perceptions of insiders: utilising and placing material from personal, familial and communal sources in an academic context.- Make a significant critical contribution to the emergent notion of practice as research, within the disciplinary field.Carrlands is designed as a small-scale case study ina region familiar to the principal investigator, it is the area in which I was born and raised. Lacking conventional scenic heritage and startling vistas, it is in an out-of-the-way area, far from the tourist trail. But it does provide a special opportunity to both study and explain the processes of landscape formation and the role of human agency; to problematise notions of landscape as purely visual construct; and to occasion a critical reappraisal of the inherent qualities of places rarely visited. Performance is conceived as a mechanism that precipitates and encourages visitation; that informs presence; and that illuminates places that do not easily reveal themselves.Each performance is only available in mediated form, as individual soundworks: an integration of recorded texts from expert and popular sources and in a variety of registers, set within a specially generated musical matrix. The spoken texts derive from a variety of disciplinary and analytical approaches, juxtaposed with local observations and opinions and with the perceptions of the principal investigator, who is present as the lead voice, framing and contexting diverse material. Their uniqueness lies in the invitation to action. Within their fabric, they include sequences of instructions to users - suggestions on how and where to move, and look. The audience member is at once performer and spectator; there is a shift from the optic to the haptic in the apprehension of landscape, cast as much as place of work as prospect.The soundworks are disseminated and publicly distributed in the form of a streamed 'free-to-listen' pod-casts, initially available through specially designed, dedicated pages on the University of Wales, Aberystwyth website. Whilst the soundworks do exist as autonomous art works, it is intended that they should be downloaded as MP3 files and taken to the location, where they offer a particular mediated engagement, and accessed through the personal equipment of the participant. Significantly, the participant is free to choose the time, season, weather, personal mood and social conditions - alone, in a group - under which the location is visited.The website will offer opportunities to respond not only through soliciting opinion on the efficacy of the work bu

Carrlands的目标是在12个月的时间里为北林肯郡Ancholme河农业山谷的三个地点创造一系列相关的现场表演。这些表演代表了表演研究领域内的一种创新的探究模式和研究成果。在学术研究程序和专业美学实践的整合中，该项目将：-开发一种方法来检查和解释景观的复杂性，因为它是多种多样的定义和研究。-推进景观的跨学科理解，在表演媒介中，可以促进注意力的快速转移，并考虑，地方。增强和刺激公众欣赏和景观的理解，通过在一个可访问的表演框架内纳入学科专业知识的看法。通过提供参与机会，加强地方和区域对景观的关注：a）表演材料的产生; B）在表演中接受该材料; c）监测效果。创建表演干预，可以包括内部人士的看法：利用和放置从个人，家庭和社区来源的材料在学术背景下。在学科领域内，对实践作为研究的新兴概念做出重大的关键贡献。Carrlands被设计为一个小规模的案例研究，主要研究者熟悉的地区，这是我出生和长大的地区。这里缺乏传统的风景名胜和令人惊叹的远景，处于一个偏僻的地区，远离旅游路线。但它确实提供了一个特殊的机会，既研究和解释景观形成的过程和人类机构的作用;质疑景观作为纯粹的视觉构造的概念;并对很少有人参观的地方的内在品质进行批判性的重新评估。表演被视为一种促进和鼓励探访的机制;它传达存在感;并照亮那些不容易暴露自己的地方。每场表演都只能以中介形式提供，作为单独的音响作品：整合来自专家和流行来源的录制文本，并以各种音域，设置在专门生成的音乐矩阵中。口头文本来自各种学科和分析方法，与当地的观察和意见以及主要调查员的看法并列，主要调查员作为主要声音出席，框架和背景不同的材料。它们的独特之处在于邀请采取行动。在它们的结构中，它们包括对用户的一系列指示-关于如何移动和在哪里移动以及观看的建议。观众成员是一次表演者和观众;有一个从视觉到触觉的转变，在景观的理解，投尽可能多的工作场所作为前景。声音作品传播和公开分发的形式流'免费收听'播客，最初可通过专门设计的，专用页面上的威尔士大学，阿伯里斯特威斯网站。虽然声音作品确实作为自主艺术作品存在，但其目的是将它们作为MP3文件下载并带到它们提供特定中介参与的位置，并通过参与者的个人设备访问。值得注意的是，参与者可以自由选择参观地点的时间、季节、天气、个人情绪和社会条件-独自一人或集体一人。该网站不仅提供机会征求对工作效果的意见，