Setup of an internet platform: "Theatre and Music in Weimar. Digitization, registration, scientific processing and online presentation of the Weimar play bills from the season 1969/70 to the political turn 1989/90"

该项目旨在重建德意志民主共和国魏玛国家剧院从柏林墙建成到政治变革的全部剧目，并在耶拿的ThULB创建的平台上进行记录。该项目的目的是数字化幸存的戏剧资源，从那时起，他们的记录，发展和文件。这些文件将在一个专门为这个项目创建的应用程序（www.theaterzettel-weimar.de）中显示，可以在那里进行研究。所有资料都由UrMEL提供，并集成在总体信息系统中，如DDB、archiportal - d和EUROPEANA。魏玛项目团队的经验和知识现在是其他类似项目的参考点（例如，2017年10月底在德累斯顿举行的SLUB），并且是他们概念化的模型（也通过2017年3月底在魏玛举行的研讨会）。此外，魏玛项目已申请于2018年9月28日在巴黎协调声学研究所（IRCAM）举行的第五届国际音乐学数字图书馆会议（DLfM）上展示其工作，届时有关该项目和其他项目的国际交流将进一步加强。自当前支持期（2017年1月1日- 2018年12月31日）开始以来，已经发现了新的重要的，未知的和未使用的资源以及新的资源类型，在此基础上，将有可能将已经（由于其完整性）历史上独一无二的在线数据库服务扩展到第一个综合戏剧资源数据库。该网址将保持不变，因为在此期间它已成为准商标。

The project is intended to reconstruct the repertoire of the Deutsches Nationaltheater Weimar in the DDR from the time after the construction of the wall until the political change, and to document it on the platform that was created by the ThULB in Jena. The aim of the project is to digitize the surviving theatrical sources from that time, their recording, development and documentation. The documents will be presented within an application (www.theaterzettel-weimar.de) that has been created especially for this project, and can be researched there. All the materials are provided by UrMEL and are integrated in overarching informatic systems, such as DDB, Archivportal-D, and EUROPEANA. The experience and knowledge of the Weimar project team is now a point of reference for other, similar projects (e.g., at the SLUB in Dresden at the end of october 2017), and is a modell for their conceptualiziation (also via a workshop that took place in Weimar at the end of march 2017). The Weimar project, moreover, has applied for a presentation of its work at the 5th International Conference on Digital Libraries for Musicology (DLfM) on 28 September 2018 at the Institut de Recherche et Coordination Acoustique (IRCAM) in Paris, where the international exchange about this and other projects could be furthered.Since the beginning of the current period of support (01/01/2017-31/12/2018), new important, unknown and unused sources as well as new types of sources have been detected, on the basis of which it will be possible to expand the already (because of its completeness) historically unique online database service to the first comprehensive database of theatre sources. The web address will remain the same, since it has become quasi a trademark in the meantime.