Natura as cosmic and political concept in Alanus's ab Insulis poetic works and in theLatin and vernacular reception

这个项目的目的是分析在阿拉努斯的《阿兰的德里尔》(Alain‘s de Lille)文学作品中，作为建立政治秩序体系的中心话语要素的自然的概念和功能。为此，我们开发了一种创新的方法，位于哲学思想、政治和制度背景以及文学分析的交叉点上。正如我们将通过对政治隐喻和意象的研究(迄今被忽略)所展示的那样，自然的宇宙角色和她在《普朗克图斯》中哀叹的整体衰落，以及在安提克劳迪亚人中试图撤销的，是始终如一的哲学-神学秩序概念的组成部分。因此，我们计划通过一种创新的话语分析来分析《自然之歌》和《安提克劳迪亚》，(A)揭示这两部诗歌作品与当代自然哲学之间的关系，(B)首次展示当代文学和非文学的关于爱情、欲望和性的文学话语与这些诗歌作品的相关性，以及(C)调查这些文本的文学设计：这是一个在过去和现在的学术中没有得到足够重视的问题。通过将这些视角结合起来，我们的目标是对S的诗歌作品和他的自然观，包括它的政治层面，创造一个更精确的哲学、文学和历史的理解。在第一步的基础上，我们的第二个目标是考察阿兰诗歌作品对拉丁和德语白话的接受，这些作品对白话文学产生了重要影响。我们的主要兴趣不是简单地描述传统和过去学术中研究的来源之间的关系，而是专注于在学习的拉丁语和德语的方言传统中重新解释和谈判艾伦的《自然》及其政治层面。

The aim of this project is to analyse the concept and function of 'Natura' as a central discursive element for establishing a system of political order in Alanus's ab Insulis (Alain's de Lille) literary works. To this purpose we develop an innovative approach situated at the intersections of philosophical thought, political and institutional contexts and literary analysis. As we will show through the (hitherto ignored) study of political metaphors and imagery, Natura's cosmic role and the overall decline she laments in the Planctus and attempts to undo in the Anticlaudian is an integral part of a consistent philosophical-theological conception of order. We therefore plan to analyse the De planctu Naturae and Anticlaudian via an innovative analysis of discourse that (a) brings to light the relationships between the two poetic works and the contemporary philosophy of nature in the context of the so-called 'Renaissance of the 12th century', (b) demonstrates for the first time the relevance of the contemporary clerical literary and non-literary discourses on love, desire and sexuality for these poetic works, and (c) investigates the literary design of these texts: a question that has not received enough attention in past and current scholarship. By combining these perspectives we aim to create a more precise philosophical, literary, and historical understanding of Alan¿s poetic works and his concept of nature, including its political dimensions. Based on this first step, our second aim is to examine the Latin and the German vernacular reception of Alan's poetic works, which had an important impact on vernacular literature. Our main interest is not simply to describe the relationship between traditions and sources that has been studied in past scholarship, but to focus on the reinterpretation and negotiation of Alan's 'Natura' and its political dimensions in the learned Latin and German vernacular traditions.