Idols Chambers - Disposal, reinterpretation and prämuseale preservation of pre-Reformation visual culture in Lutheranism (1517-1817)

与形象贫乏的流行观念相反，即使是圣像主义的新教，文化和历史研究也面临着这样一个事实，即在德语国家，特别是在路德地区，中世纪晚期教堂家具的更多文物被保存下来，以呈现在天主教领土上。通常在现代早期脱离其原来的位置和教会意义的结构，自世纪初，这些文物往往形成了一个政治和民族历史动机的博物馆基金会波资产阶级文物协会的对象基础。关于这些在许多地方突然被重新发现的所谓德国艺术文物的历史传承问题，人们遇到了一个文化上显着但未被探索的现象和历史概念：“偶像室”。这是隐藏存储神圣的对象（字符，图像，遗物等），这已经成为神学上的问题，特别是教堂建筑中或多或少无法进入的空间。同时，第一次博物馆前的保护和历史化的策略，这是相当典型的特定路德纪念文化。这些现象的演变，对前现代教会的对象和图像仓库的初步研究，承诺重要的见解到独特的路德处理早期教会的象征文化，重新解释和重新编码的策略，一旦中心的公共或集体信仰的对象，也关于记忆和代表性的做法。标志性转向的科学思想和物质文化研究的方法正在开辟一个新的视角来看待忏悔文化的出现，它甚至可以比区域性的更强大，以不同的和多样的长期过程轮廓。前现代教派文化在处理继承的图像对象时表现出可读性，这是文化重新编码过程的结果，如去神圣化、祛魅、教育意图、历史化和新传统的多样化创造。本文以中德国为宗教改革的发源地，从跨学科的文化历史视角对这些现象进行了探讨。

Contrary to the popular conception of an image poor, even iconoclastic Protestantism, the cultural and historical research is confronted with the fact, that in the German-speaking countries, especially in the Lutheran areas, more artifacts of late medieval church furnishings have been preserved to present as in Catholic territories. Often during the Early Modern detached from their original locations and ecclesial significance structure, since the early 19th century, these artifacts often formed the object basis of a politically and nationally historically motivated wave of Museum foundations by bourgeois antiquity associations. The question about the historical transmission of these, suddenly in many places rediscovered, so called German art antiquities, one comes across a culturally remarkable yet unexplored phenomenon and historical concept: the "idol chambers". It is the concealment to store sacred objects (characters, images, relics, etc.), that have become theologically problematic, in particular, more or less inaccessible spaces of the church building. At the same time first pre-museal strategies of conservation and historicizing reveal, which are quite typical for the specific Lutheran memorial culture. The initial study of the evolution of these phenomena on premodern ecclesiastical object and image depots promises important insights into the distinctively Lutheran handling of early church symbol culture, about strategies of reinterpretation and recoding of once central objects of communal or collective belief, and also about memory and representation practices. The scientific ideas of the Iconic Turn and the approach of Material Culture studies are opening up a new perspective on the emergence of confessional cultures, which can be even stronger than regionally to differing and multifarious long process contoured. Pre-modern confessional culture appears readable on dealing with the inherited image objects as a result of cultural recoding processes as desacralization, disenchantment, educational intentions, historicizing and diverse creations of new traditions. Based on Central Germany as the motherland of the Reformation, these phenomena are explored from an interdisciplinary cultural-historical perspective.