Crisis rhetoric between latency and divergence: Memory creation in Portuguese contemporary photo books and novels

自2008年以来，社会经济危机已经在欧洲内部固化，成为一个共享的跨文化经验和记忆空间。这个康复项目以影印本和小说为例，考察了葡萄牙当代处理危机的艺术方法。在葡萄牙，相互竞争的记忆结构是以中间人的方式谈判的，各种话语盛行。其中一部分艺术方法在文本和图像上采用攻击性策略，复调和主体间性作为受危机影响的人的可识别特写。此外，还有一些旨在解构和取代现有危机叙述的战略。一些艺术文献的审美潜在刺激恰恰在于危机的缺席或潜伏，与不同的(国家)危机处理策略相比，这是独一无二的。与体验式的手工艺品相比，葡萄牙语文本的工作模式相当反身、历史性和纪念性。为了考察照相册和小说的储存、流通和线索功能，对葡萄牙人身份反思的参考文本从哲学、社会学和文学角度进行了历时考虑，其中自我意象(神话和自我意象)、永久危机、欧洲和Desmificação的四个解释轴将是分析的原始。该项目的第一个目标是提取并联系葡萄牙危机中反复出现的记忆的主题、图标、情节结构和主角的叙事潜力，以解决目前如何将危机巩固为欧洲记忆空间的问题。第二个项目目标致力于文字和图像的情感化策略。指的是哪些精神和物质形象？主题、呈现传统、制作和接受语境是如何传达的？第三个项目的目标是确定重新调整危机进程的替代记忆叙事。另一个目标是从两种记忆媒体的存储、回忆和循环功能以及社会记忆、心理记忆和物质记忆维度之间的交互作用来找出记忆的优势。项目的最后一个目标是确定可供选择的记忆叙事，以重新定位危机。最后一个项目目标是从旅行记忆和全球记忆的意义上考察艺术危机处理策略的流动性潜力。对于三个阶段的跨媒介分析，文本叙事的基本方面被转移到图像和文本的混合人工制品(照相本)。通过分析对危机的诊断性和前瞻性的空间艺术处理方法，将缩小目前研究的差距。

The socioeconomic crisis has solidified within Europe since 2008 as a shared transcultural space of experience and memory. Using the example of photobook and novel, this habilitation project examines contemporary artistic methods of processing crisis in Portugal. Competitive structures of memory are medially negotiated in Portugal, with a variety of discourses prevailing. One part of the artistic methods works with offensive strategies in text and image, polyphony and intersubjectivity as an identifiable close-up of those affected by crisis. In addition, there are those strategies aimed at deconstructing and replacing existing crisis narratives. The aesthetic potential for irritation from some artistic documents lies precisely in the absence or latency of the crisis, which is unique in comparison to different (national) crisis processing strategies. Compared to artefacts in an experiential mode, Portuguese texts work in a rather reflexive, historicizing and monumental mode. To examine the storage, circulation and cue functions of the photobook and novel, a diachronic consideration of reference texts of Portuguese identity reflection from philosophy, sociology and literature is undertaken, where the four axes of interpretation autoimagens (myths and self-images), crise permanente, Europe and desmitificação will be primordial for the analysis. The first goal of the project is to extract and to relate the narrative potential of recurring topoi, icons, plot structures, and protagonists of memory in the Portuguese crisis, to deal the question of how the crisis is currently being consolidated as a European memory space. Second project goal is dedicated to the strategies of emotionalisation in text and image. Which mental and material images are alluded to and how are the motif, presentation tradition, production and reception context conveyed? The third project objective is to identify alternative memory narrative that realigns the course of the crisis. Another goal is to work out the dominances of memory in terms the function of saving, recalling and circulation of both memory media as well as the interaction between the social, mental and material memory dimension. The last project objective is the identification of alternative memory narratives, which reorient the crisis. A final project goal is the investigation of the mobility potential of artistic crises processing strategies in the sense of travelling memory and globital memory. For the three-stage transmedial analysis, fundamental aspects of textual narrative are transferred to the hybrid artifact of image and text (photobook). By analyzing the diagnostic and prospective space artistic methods processing the crisis inhere, the current gap in research will be closed.