duerer.online – Virtual Research Network Albrecht Dürer

阿尔布雷希特·杜勒和他的作品是艺术史上最突出的研究课题之一。这位文艺复兴时期的艺术家是他那个时代记录最好的德国艺术家，具有特殊的科学价值。大量的研究集中在杜勒，这使得保持对这一学术的概述成为一个重大挑战。更具体地说，几十年前出版的杜尔的素描和绘画目录现在已经过时；有大量关于个人作品的原创研究；现在有许多由不同组织发布的数字资源，往往相互不兼容；文本和图片之间的许多交叉链接缺失。巨大的信息量和多样性，以及学者们对这位艺术家的持续兴趣，使杜尔成为数字平台的理想对象。Duerer.Online提供了一个可与其他基础设施互操作的平台，该平台整合了现有的数字资源，允许连接过时的数据格式，并促进使用新数据更新资源。它将汇集知识，以数字方式组合分散的数据，使其成为数字人文的新的宝贵资源。在该项目的第一阶段，记录了印刷作品，并辅之以接待作品。除了TEI支持的书面遗产版本外，纽伦堡市、阿尔布雷希特·杜雷尔之家基金会(纽伦堡)的艺术收藏品以及精选的国际知名收藏品作为数据基础。在第二阶段，重点是索引独特的作品(绘画、手绘、水彩画)。这意味着杜勒的整个作品将根据艺术历史指导方针进行编目，并在语义上建立联系。此外，独特作品的记录还得到了艺术技术方面的补充。杜勒接受作品的记录通过两个方面进行扩展--对独特作品的图形模仿和流行文化作品。所使用的“科学传播基础设施(WissKI)”是一个虚拟研究环境，能够使用当前标准开发数字人文领域的应用程序。收集的数据的分类和存储是本体的--基于国际标准化组织标准21127(CIDOC-CRM)，并使用共同的标准文件GND。在该项目的第二阶段，将改进关于杜雷尔作品的大量信息的可及性和可查找性，此外，还将实施用户指南功能，使潜在用户能够在项目结束后对现有内容进行评论或添加内容。该项目的责任由海德堡大学图书馆负责，纳入arthistoricum.net的专业信息服务保证了结果在公平原则意义上的连通性和可持续性。正在寻求与目前正在开发的NFDI4文化-知识图表的联系。

Albrecht Dürer and his work are among the most prominent topics of research in history of art. The renaissance artist is of special scientific value as the best-documented German artist of his era. The huge body of research focused on Dürer makes it a major challenge to maintain an overview of this scholarship. More specifically, the catalogues of drawings and paintings by Dürer published decades ago are now outdated; there is a huge body of original research about individual works; there now exist many digital resources published by different organisations that are often incompatible with each other; and many cross-links between texts and pictures are missing. The huge volume and diversity of sources, and the continued interest in the artist by scholars, make Dürer the ideal object for a digital platform. duerer.online offers a platform interoperable with other infrastructures which integrates existing digital resources, allows antiquated data formats to be connected, and facilitates updating of the resource with new data. It will pool knowledge, digitally combine dispersed data, making it a new invaluable resource for the digital humanities. In the first phase of the project, the printed works were recorded, supplemented by works of reception. In addition to a TEI-supported edition of the written estate, the holdings of the art collections of the City of Nuremberg, the Albrecht Dürer House Foundation (Nuremberg) and selected internationally renowned collections served as the data basis. In the second phase, the focus is on indexing the unique works (paintings, hand drawings, watercolours). This means that Dürer's entire oeuvre will be catalogued according to art historical guidelines as well as semantically linked. Furthermore, the documentation of unique works is supplemented by art technological aspects. The recording of works of Dürer's reception is expanded by two areas - graphic imitations of unique works and works of popular culture. The "Scientific Communication Infrastructure (WissKI)" used is a virtual research environment that enables the development of applications in the field of digital humanities using current standards. The classification and storage of the collected data is ontology-based on the basis of the ISO standard 21127 (CIDOC-CRM) and using the common standards file GND. In the second phase of the project, the accessibility and findability of the extensive information on Dürer's works will be improved and, in addition, user guidance features will be implemented that will enable potential users to comment on or add to existing content after the end of the project. The responsibility for the project lies with Heidelberg University Library and the integration into the specialist information service arthistoricum.net guarantees the connectivity and sustainability of the results in the sense of the FAIR principles. A connection to the NFDI4Culture-Knowledge Graph, which is currently being developed, is being sought.