German Sales – Primary Market: Gallery publications in German-speaking countries 1871–1949

该项目旨在尽可能完整地确定在德语国家为现代艺术画廊出版的出版物，这些出版物在1871年至1949年期间出版。这些出版物将进行数字化和全文检索，并以可持续和开放的方式在海德堡大学图书馆的服务器上在线提供。这意味着它们将在国际上建立的机构中向科学界提供，并可以根据最佳标准进行访问。随着与“arthistoricum.net”和已建立的门户网站“德国销售”的整合，旨在大幅改善目前关于现代艺术发展的信息基础设施。该项目通过开放现代艺术早期一级市场上的研究供应，扩大了以前通过“德国销售”提供的内容。特别是，对公共收藏品进行强制性的纳粹掠夺艺术品鉴定的来源研究，需要了解1933至1945年间交易的艺术品。然而，为了了解和评估《联合声明》范围内的交易，也需要关于1933年前和1945年后供应的信息。对于经典的现代艺术作品来说，相应来源的可及性是一个要求。画廊出版物的识别、记录和数字提供计划是对这一试点项目的回应，该项目首次涉及自19世纪以来现代艺术贸易的整体发展。出版出版物的公司的数据将被纳入数据库支持的信息系统“德国销售机构--拍卖行、画廊、古董书店”，该系统目前正在建设中。基于本体的语义索引不仅能够可视化参与者的网络，而且能够以链接的开放数据意义上的RDF三元组的形式提供内容，从而可以连接到其他项目。计划与德国文化财产损失中心的数据库“Proveana”等信息平台联网，应能使资料来源和与项目有关的研究成果得到协同统一。与年轻的数字起源研究领域的联系显然是有问题的。与五个合作伙伴-柏林艺术史图书馆、汉堡图书馆、科隆艺术和博物馆图书馆、德国文学档案馆马尔巴赫、慕尼黑中央艺术史研究所-提前本地化的出版物将被数字化，链接到编辑的公司数据并放到网上。作为例子，我们对柏林的公司进行了更深入的研究和索引。后续应用程序应能够对进一步查明的出版物进行数字化，对其编辑进行深入索引，如有必要，还应对出版物进行关于手写注释的深入索引。

The project aims to identify publications that galleries for modern art in German-speaking countries published between 1871 and 1949 as completely as possible. These publications are to be digitized and searchable in full text and made available online on the servers of Heidelberg University Library in a sustainable and open access manner. This means they will be available to the scientific community in an internationally established institution and can be accessed according to the best standards. With the integration into "arthistoricum.net" and there into the established portal "German Sales", a substantial improvement of the current information infrastructure on the development of modern art is intended. The project expands content previously provided via "German Sales" by opening up the supply on the early primary market of modern art for research. In particular, provenance research for the identification of Nazi looted art, which is mandatory for public collections, requires knowledge about works of art that were traded between 1933 and 1945. However, in order to understand and evaluate transactions within the scope of the "Joint Declaration," information about the supply before 1933 and after 1945 is also needed. For works of classical modern art, the accessibility of corresponding sources is a desideratum. The projected identification, recording and digital provision of gallery publications responds to this as a pilot project, which for the first time addresses the overall development of the trade in modern art since the 19th century.Data of the companies that published the publications will be included in the database-supported information system "German Sales Institutions – Auction houses, Galleries, Antiquarian Bookshops ", which is currently under construction. A semantic, ontology-based indexing not only enables the visualization of the networks of the actors, but also the provision of the contents as RDF triples in the sense of Linked Open Data, which can be connected to other projects. The planned networking with information platforms such as the database "Proveana" of the German Center for the Loss of Cultural Property should lead to a synergetic consolidation of sources and project-related research results. The connection to the field of young digital provenance research is explicitly sought.With five cooperation partners – Library of Art History Berlin, Library of the Kunsthalle Hamburg, Art and Museum Library Cologne, German Literature Archive Marbach, Central Institute for Art History in Munich – publications that have been localized in advance are to be digitized, linked to the company data of their editors and put online. Berlin companies are researched and indexed in greater depth as examples. A follow-up application should enable the digitization of further identified publications, the in-depth indexing of their editors and, if necessary, an in-depth indexing of the publications with regard to handwritten annotations.