Th. W.Adorno's Philosophy of Music

我获得了两年的助学金（1992-1993）。在此期间，我写了三篇关于这一主题的论文(《阿多诺思想中的哲学与艺术》，1992年；阿多诺的马勒诠释”1994，“瓦格纳诠释之流：尼采-阿多诺-达尔豪斯”1994)。除此之外，我还在两次国际会议上阅读了论文（“批判理论和田野调查：阿多诺的理论和民族音乐学”，民族音乐学学会，西雅图，1992年10月；“音乐中的社会意义分析：器乐的时间结构作为一种认识世界的方式”，音乐分析学会，南汉普顿，1993年3月），以及在日本的一次会议上（“阿多诺的理论和民族音乐学”，音乐学会/亚洲音乐学会，1993年12月）。在关于这项研究的报告中，我添加了我在1992年之前写的其他几篇论文，这样它就会给出我打算在1994年或1995年出版的这本书的整体形象。本文的研究重点在于以下两点：一是从阿多诺对音乐的时间结构及其意义的思考角度来考察阿多诺的理论；二是结合当今音乐全球化的形势，发展他的理论和法兰克福学派的批判理论。在进一步的研究中，我不仅要研究阿多诺的理论，还要研究本雅明和哈贝马斯的理论，这些理论与本研究的第二点有关。

I got this grant-in-aid for two years (1992-1993). During this period I wrote three treatises on this theme ("Philosophy and Arts in Adorno's Thought" 1992, "Paradoxical expressions in Th. W.Adorno's Mahler-interpretation" 1994, "A stream in Wagner-interpretation : Nietzsche - Adorno - Dahlhaus" 1994). In addition to this, I read papers at two international conferences ("Critical Theory and fieldwork : Adorno's theory and ethnomusicology", Society for Ethnomusicology, Seatle, Oct., 1992 ; "Analysis in social meaning in music : time structure jof instrumental music as a way of recognition of the world", Society for Musical Analysis, Southhampton, March 1993), and at one conference in Japan ("Adorno's theory jand ethnomusicology", Society for Musiclogy/Society for Asian music, Dec. 1993). In the report on this research I added several other treatises which I had written before 1992, so that it will give the entire image of the book which I intend to publish in 1994 or 1995. The focus of this research is in the following two points : the one is to investigate Adorno's theory from the view point of his thought on the time structure of music and it's meaning ; the other is to develop his theory and Critical Theory of the Frankfurt School in relation to the situation of flobalization of music today. In further research I will go into no only Adorno's theory, but also the theories of W.Benjamin and J.Habermas in connection with the second point of this research.