Karl Philipp Moritz, Complete works. Critical and annotated edition, vol. 3; Theoretical writings onart and literature

卡尔·菲利普·莫里茨批评版的第三卷包含了莫里茨关于艺术和文学的理论著作。其中包括他对美学理论的开创性贡献，该理论阐述了艺术作品的自我参照的概念并阐明了其后果，即《在什么程度上可以描述艺术作品和智慧与智慧》(一篇将所有艺术和科学都包含在一个对象本身完成的概念下的文章)；《关于对美的形成性模仿》(Ueber die Bildende Nachamung des Schönen)；《在什么程度上可以描述艺术作品)；以及Ueber die Alorilee(关于寓言)。此外，这卷书还收录了一些关于艺术和文学的较短的论文，其中大部分最初是在期刊上发表的；以及其他独立出版物：Verso einer deutschen Prosodie(一篇关于德国韵律的文章，由Lars Korten编辑)：一篇针对Joachim Heinrich Campe的关于作者和出版商之间关系的争议性论文：Voregriffe zu einer Theorie der Ornamente(装饰理论的初步思考)和Vorlesungenüber den Styl(关于风格的讲座)。莫里茨的散文《美的形而上学的线》(The Methatical Line of Schönheitslinie)在主题上属于这类文本，于1793年发表在选集《逻辑》(The Great Ldge)中(The Great Ldge：收录于2013年评论版第6卷)。与第三卷涵盖的主题范围有关的几个较短的文本将出现在第13卷中。这本书记录了莫里茨作为柏林学院成员的活动。第三卷收集的系列著作始于1785年。然而，大多数都是在莫里茨的意大利之行(1786-1788)期间和之后写成的。它们为作者提供了一个新的角色：莫里茨以前因其关于教育学、语言学和心理学等主题的著作而闻名，并因他在英国的德国之行(主要是徒步旅行，穿越英格兰的几个地区)和他的自传体小说安东·赖瑟而闻名，莫里茨在这里以古典主义理论家的身份出现。从这一立场出发，莫里茨努力应对自己传记中的创伤，理性主义哲学提出的问题，以及转型中的艺术和文学场景。他还对自然科学的当代发展做出了回应。从文化史的角度来看，这本书将莫里茨呈现在18世纪和19世纪之交柏林蓬勃发展的全盛时期的中心，记录了莫里茨关于艺术的出版物与他从1789年起作为柏林艺术学院美术理论教授的活动之间的联系。这本书将出版的散文和独立著作已经受到版本史的影响。这一版本提供了一个关键设备，它建立了编辑后的文本，同时跟踪与其他印刷品的联系

Volume 3 of the Critical Karl Philipp Moritz Edition contains Moritz’s theoretical writings on art and literature. These include his seminal contributions to aesthetic theory, which formulate the idea of the self-referential work of art and elucidate its consequences, namely, Versuch einer Vereinigung aller Künste und Wissenschafte unter dem Begriff des in sich selbst Vollendeten (An essay to subsume all arts and sciences under the concept of an object completed in itself); Ueber die bildende Nachahmung des Schönen (On the formative imitation of the beautiful); In wie fern Kunstwerke beschrieben werden können (To what extent can works of art be described); and Ueber die Allegorie (On allegory). In addition, the volume features a number of shorter essays on art and literature, most of which were originally printed in journals; and other independent publications: Versuch einer deutschen Prosodie (An essay on German prosody, edited by Lars Korten): a polemic treatise directed at Joachim Heinrich Campe on the relationship between author and publisher: Vorbegriffe zu einer Theorie der Ornamente (Preliminary thoughts on a theory of ornamentation): and Vorlesungen über den Styl (Lectures on style). Moritz’s essay “Die metaphysische Schönheitslinie" (The metaphysical line of beauty), which belongs thematically to this group of texts, was published in 1793 in the anthology Die große Loge (The great lodge: contained in voiume 6 of the critical edition from 2013). Several shorter texts related to the range of topics covered in volume 3 will appear in volume 13. which documents Moritz's activities as a member of the Berlin academies.The series of writings collected in volume 3 begins in 1785. Most of them, however, were written during and after Moritz’s trip to Italy (1786-1788). They present the author in a new role: known previously for his writings on topics that included pedagogy, linguistics, and psychology, and for his Reisen eines Deutschen in England {Travels, Chiefly on Foot, through Several Parts of England) and his autobiographical novel, Anton Reiser, Moritz appears here as a theoretician of classicism. Writing from this position, Moritz grapples with the traumas that marked his own biography, with questions posed by rationalist philosophy, and with an art and literary scene in this midst of transformation. He also responds to contemporaneous developments in the natural sciences. From the perspective of cultural history, the volume presents Moritz at the center of Berlin’s burgeoning heyday at the turn of the eighteenth and nineteenth centuries, documenting a dose connection between Moritz’s publications on art and his activity as professor for the theory of fine arts at the Berlin Academy of Arts from 1789.The essays and independent writings that will be published in this volume have already been shaped by a history of editions. This edition offers a critical apparatus that establishes the edited texts while tracing connections to other prints