Coordination Funds

该计划“数字图像”从多角度审视，以艺术史和媒体研究为起点，将来自不同学科的示范项目或多或少地相互联系在一起，图像在其数字化外观中的核心作用在理论和实践知识数字化的复杂过程中。意图是一个关键的主题化和反映这一层面作为一个深刻的认识论剧变。在我们的理解中，这只能发生在一个决定性的跨学科交流，理想情况下也特别包括信息科学。协调的目标和具体挑战是促进和确保各个项目之间富有成果的交流，这些项目来自人文和社会科学的广泛领域，但其研究范式方向在每个情况下都非常不同。交叉点一方面来自视觉文化，视觉艺术，视觉文化遗产的审查，另一方面来自数字方法的历史，理论和实践反思审查，特别是图像领域的解决。

The program "The Digital Image" examines from a multi-perspective point of view, with a starting position in art history and media studies, in the bringing together of exemplary projects from various subjects with more or less affinity to each other, the central role that the image in its digital appearance has in the complex process of the digitalization of knowledge in theory and practice. The intention is a critical thematization and reflection of this dimension as a profound epistemological upheaval. In our understanding, this can only take place in a decidedly transdisciplinary exchange, ideally also with special inclusion of the information sciences. The goal and particular challenge of coordination is to stimulate and ensure fruitful exchange among the individual projects, which come from the broad field of the humanities and social sciences, but whose research paradigmatic orientation is very different in each case. The intersections arise on the one hand from the examination of visual culture, visual arts, the visual cultural heritage on the other hand from the historical, theoretical and practical-reflective examination of digital methods and here especially the addressing of the field of the image.