A Comparative Iconography of the Netherlandish Print in the 16th Century

我研究过荷兰艺术家海尔奥尼莫斯·博施，他在15世纪末积极参与其中。我在研究过程中了解到，博世形象的来源是在传阅给人们的流行印刷品中。博世的肖像被转化为版画，并在他去世后传播开来，成为许多艺术家的图像来源。而荷兰的版画很快就被带到了日本，通过西班牙和葡萄牙，并被复制在一个大屏幕上作为一幅画。因此，博世的一件祭坛和木山和江户时代的屏幕画面用一根线捆绑在一起。在这种情况下，我们需要抓住“印刷”作为一种信息媒介，而不是一种艺术媒介，以便新的方向对传统研究开放。16世纪的荷兰印刷品，即使从作为一种共同语言的国际性和词汇的丰富性来看，也是适用于《词典》的。在对这些辞书按图像学主题进行整理后，我们将其与我国浮世绘进行了比较研究。然后，重要的是找到一个共同的肖像学主题。虽然我之前尝试了一个实验性的比较《浪子和被称为Kabukimono》，但它是对日本和荷兰人物的比较图像学学习的研究，出现在巴洛克时代的印刷品中，也是常见的。这些都是当时的风俗习惯带来的，同样的特征也适用于流行的印刷品，来自一个共同的基础，称为都市化的信息社会。在这段时间里，我研究了作为16-17世纪版画主题出现的“庸医”的肖像，并特别详细地分析了荷兰的这种模式。我想研究一下如何处理浮世绘的同一主题作为未来的主题。

I have studied the Netherlandish artist Hieronymus Bosch, who took an active part at the end of the 15th century. I have understood with the process of research that the source of the image of Bosch is in the popular print circulated to people. The iconography of Bosch was turned into a print and was spread after his death and became the sources of images of many artists. And the Netherlandish prints were in no time brought about even in Japan through Spain and Portugal and were copied in a large screen as a painting. Thus an altarpiece of Bosch and the screen picture of Momoyama and Edo period are tied with one thread. In this case we need to catch the "print" as a medium of information rather than a medium of art, so that the new direction is open to conventional research. The Netherlandish print in the 16th century is suitable for "dictionary", even if we observe it from the internationality and the abundance of vocabulary as a common language. And after tidying these dictionaries in terms of the theme of iconography, we have moved the comparative research with an ukiyoe print of our country. It is then important to find out a common iconographical theme to both. Although I attempted before a experimental comparison "the prodigal son and the called Kabukimono", it was the study of comparative iconographycal learning of figures in Japan and Netherlands which appear and are common to Baroque ages print. Those were, with the point that customs in that time brought forth them together, the same character appropriate to popular prints from a common base called an urbanized information society. In this time I studied the iconography of the "quack doctor" that appeared as the theme of the 16-17th century print and analyzed in detail about the model in the Netherlands especially. I want the study with regard to the handling of the same theme of an ukiyoe as a future theme.