A Study of the Relationship between Information and Culture Industries and Popular Culture about Transfer of Culture in the Age of Multi culturalism
A Study of the Relationship between Information and Culture Industries and Popular Culture about Transfer of Culture in the Age of Multi culturalism
批准号:
07801025
负责人:
OGURA Toshimaru
金额:
$1.22万
依托单位:
依托单位国家:
日本
项目类别:
Grant-in-Aid for Scientific Research (C)
财政年份:
1995
资助国家:
日本
项目状态:
已结题
起止时间:
1995 至 1997
中文摘要
本研究的目的是研究文化产业和媒体产业在流行音乐领域中不同社会之间文化信息传递方面的作用。我试图在日本寻找一种多元文化主义的可能性通过将其理解为一种创造性的元素而不是冲突的元素。根据上述目标,在本研究的第一年,我收集了基础资料,在第二年,我从理论的角度研究了流行音乐信息的国际传递机制。作为一个具体的例子,我选择了冲绳。我去了冲绳,采访了几个人,收集了二战结束后美军基地士兵传入冲绳摇滚文化的资料。第三年,我继续在冲绳进行研究,并完成了最后的研究报告。在本研究中,我强调文化产业的全球市场不是文化转移的唯一因素,它的影响是有限的,尽管它比以往任何时候都越来越强。将市场因素与大众传媒、社区亚文化场景、政府文化政策相结合,是理解文化迁移的必要条件。虽然冲绳是日本典型的多元文化地区,但实际情况与表面现象不同。美军士兵的摇滚音乐并没有渗透到冲绳人民中。在美国占领时期,只有美国士兵,尤其是白人士兵才能使用。冲绳回归后,日本唱片业将冲绳摇滚乐队作为在日本具有侵略性的硬摇滚乐队,并发行唱片,冲绳摇滚开始在冲绳人中间流行起来。因此,冲绳出现了双重音乐场景,来自美国的摇滚和传统的冲绳民间音乐在很长一段时间内没有相互交叉。社会政治环境对冲绳流行音乐场景的二元结构有着重要的影响。少
英文摘要
The aim of this research is a study of roles of cultural industry and media industry in terms of transfer of cultural information between different societies in the realm of popular music. And I try to seek a possibility of multi culturalism in Japan by understanding it as not a conflict element but a creative element.According to above aim, in the first year of this research, I gathered basic materials, and in the second year, I research a mechanism of international transfer of information about popular music from theoretical point of view. And also as a concrete example, I chose Okinawan case. I went to Okinawa and interviewed several persons and gathered materials relate to Okinawan rock'n roll culture that was imported by soldiers in the U.S.army bases since the end of the WW II.The third year, I continued the research in Okinawa and made a final research report.In this research, I stress that a global market of cultural industry is not a sole element of transfer of culture and its … More influence is a limitted onethough it has been increasingly stronger than ever. It is necessary for understanding of cultural transfer to integrate market element with mass media, subcultural scene in the community and cultural policy by the government.Though Okinawa is a typical multicultural region in Japan, the real situation is different from surface phenomenon. Rock music for the U.S.soldiers had not permeated to Okinawan people. It was only for the U.S.soldiers, especially, white soldiers during the era of the U.S.occupation. After the reversion of Okinawa, Japanese record industry picked up Okinwan rock bands as aggressive hard rock bands in Japan and issued records, then Okinwan rock became popular in the Okinawn people. Therefore, there were dual music scenes in Okinawa, rock from the U.S.and traditical Okinawn folk music not cross over each other for a long time. Social political circumstance has and important influence for such dual structure of popular music scene in Okinawa. Less
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(共著)小倉利丸: "「音の力・沖縄編」" インパクト出版会(予定), (1998)
(合着)小仓丰丸:《声音的力量 - 冲绳版》Impact Publishing(暂定),(1998)
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小倉利丸: "『昔の力』(共著)担当箇所「サウンドの商品化と資本主義のグローバリゼーション」" インパクト出版会(発表予定), 43 (1996)
Toshimaru Ogura:“旧时代的力量(合著者):‘声音的商品化和资本主义的全球化’”影响出版(待出版),43(1996)
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Toshimaru Ogura: "Saundo no Shouhinka to shihonshugi no Gurobarizeishon [Commodification of Sound and Globalisation of Capitalism]" Oto no Chikara [Power of Sound]. 211-251 (1996)
Toshimaru Ogura:“Saundo no Shouhinka to shihonshugi no Gurobarizeishon [声音的商品化和资本主义的全球化]”Oto no Chikara [声音的力量]。
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小倉利丸: "ベースキャンプカルチャーと沖縄ロックの盛衰" 日本ポピュラー音楽学会金沢大会報告.
小仓丰丸:《大本营文化与冲绳摇滚的兴衰》日本流行音乐学会金泽会议报告。
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小倉 利丸: "『音の力』(共著)" インパクト出版会, 253(211〜251) (1996)
Toshimaru Ogura:“‘声音的力量’(合著者)”Impact Publishing,253(211-251)(1996)
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共 8 条
the conflict issues between freedom of expression and right of property in decriminalization of street culture
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批准号:23530657
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项目类别:Grant-in-Aid for Scientific Research (C)
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资助金额:$1.58万
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财政年份:2011
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负责人:OGURA Toshimaru
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依托单位:
海外基金