A STUDY OF EDUCATION THOUGHT HISTORY ON THE TRADITION OF PERFORMANCE IN JAPANESE TRADITIONAL ENTERTAINMENT -GENEALOGY AND FEATURES OF JAPANESE "BUYO" DANCER NISHIKAWA KOISABURO'S EDUCATION OF ENTERTAINMENT SKILLS

在以前的研究中，我注意到了现代儒家的教育思想和学者作为教育家的状态，我意识到现代的教育方法仍然停留在传统娱乐的世界里。在本研究中，在日本传统娱乐技能中，日本舞步的世界被考察。我从小就与舞步有关，我以为我可以从外部进行不同于客观观点的内部审视。日本现存的舞步舞起源于现代的歌舞伎步舞。因为在歌舞伎节目中都有姿势舞，所以需要专门的舞蹈指导，所以除了担任舞蹈指导之外，还出现了歌舞伎表演者。他们建立了宗派和特级大师制度，并将日本布尤舞蹈作为一种职业来指导。其中一只是西川森三，一只幼崽是第一只西川小三郎。第二只西川小三郎是由一位伟大的表演者6T…指导的更多的是全神贯注的菊戈罗，表达了舞蹈的延展性，不仅限于Buyo舞蹈。此外，在对学生的指导上，他表现出了师承的卓越。他创作的布约舞是在吸收经典佳作的基础上，引入能和京根，以戏剧性的结构加入现代性，形成一个新的布约剧门类。虽然它是布约舞，但它并不是集中于以姿势作为一种风格，而是以文学(故事)为主，是现实主义的、精神的布约剧。换言之，小三郎是日本布约舞的最大通俗。虽然说他是一位“大师”，但当时社会对小三郎的技术和成就的评价并没有得到真正的评价。日本需要培养文化基础和民族，才能公平地评价一件真正的艺术。在此之后，传统娱乐教育将显示出其支持终身教育社会的能力，并培养我们已经失去的“敏感”。较少

In my previous studies, I have paid attention to modern Confucianism's educational thoughts and the scholars' state of being as educationalists, and I realized that the modern era's educational method remains even now in the world of traditional entertainment.In this study, among Japanese traditional entertainment skills, the world of Japanese Buyo dance is examined. I have related to Buyo dance since infancy, I thought I can carry out internal examination different from objective viewpoint from the outside.The origin of existing Japanese Buyo dance is Kabuki Buyo of modern era. Since posture dances are always included in Kabuki program, specialized dance director came to be required, so Kabuki performer besides being dance director appeared. They made sects and grandmaster system, and instructed Japanese Buyo dance as a profession. One of them is NISHIKAWA Senzo, and one of the pupuls is the 1st NISHIKAWA Koisaburo.The 2nd NISHIKAWA Koisaburo was instructed by a great performer the 6t … More h Onoe Kikugoro with whole attention and expressed the telent of dancing not limited to Buyo dance. On the instruction for pupils, additionally, he showed excellence succeeded from the master. It can be said that there was exquisiteness of instruction in the good opportunity.His creative Buyo dance is based on the good points of classics, introduced Noh and Kyogenn, added modernity with dramatic structure to be a new category "Buyo Drama." Though it is Buyo dance, it is not concentrated only to posture as a style, but also gave priority to literature (story) to be realistic and mental Buyo drama.In other words, Koisaburo most intended "popularization" of Japanese Buyo dance. Though he was said to be a "master, " the social evaluation at that time for Koisaburo's skill and achievement was not truly evaluated. Japan need to cultivate the cultural ground and nationality to be able to fairly evaluate a true art. Traditonal entertainment education will show its ability to support the lifetime-education society after this, and cultivate "sensitivity" that we have lost. Less