Transformation of Melusinien tradition-19,20 Century

本研究是对欧洲和亚洲所有时期的麦卢西尼神话传统的比较研究。结合哈夫-兰克纳夫人和勒库托先生的研究，我们分析了1393年让·德·阿拉斯、蒂尔伯里的热尔韦、奥克塞尔的杰弗罗伊和瓦尔特·马普的神话版本，特别是：我们还用了“金加莫的莱什”，“格雷伦特的莱什”和“兰瓦尔的莱伊”为了详细阐述这种比较，并寻找进一步发展的melusinian主题的叙述斯旺少女。我们注意到的情况下，仙女被显示为魔鬼，甚至作为男性角色，这这一现象使我们认识到，这一主题可能在现代奇幻文学中找到了延续，例如在法国中篇小说《恶魔情人》中，卡佐特表现出与melusinian叙事令人不安的结构相似性;以及上田秋成的日本故事“Dojoji”，虽然更接近“拉米亚”类型。我们还研究了中世纪的故事，如“Le Bel Inconnu”这使我们得出结论，所有这些叙述都是在处理超越和死亡的伪装下的蛇形仙女。

This research is a comparative study on melusinian traditions of all times in Europe and Asia.Taking into account Mrs Harf-Lancner and M.Lecouteux studies, we analyzed the versions of the myth which are anterior to the one provided by Jean d'Arras en 1393 ; Gervais of Tilbury's, Geoffroy of Auxerre's and Walter Map's notably : we also used "the lais of Gingamor", "the lais of Graelent" and "the lai of Lanval" to elaborate this comparison and looked for further development of the melusinian theme in the narratives about the Swann Maiden.We noticed cases where fairies are showned as devils or even as masculine characters and this phenomenon led us to realize that this theme might have found a continuation in modern fantastic literature such as in the French Novella "Le Diable amoureux" by Cazotte which shows troubling structural similarities with melusinian narratives ; and the Japanese tale "Dojoji" by Ueda Akinari which is though closer to the "Lamia" type.We also studied medieval tales such as "Le Bel inconnu" and that led us to conclude that all these narratives were dealing with the beyond and Death in the guise of a serpentine fairy.