Studies on the concrete motifs of masks, puppets and doublesin French fantastic literature

法国奇幻文学中面具、木偶、替身的具体母题研究

基本信息

批准号：
60301064
负责人：
SHINODA Chiwaki
金额：
$ 3.46万
依托单位：
NAGOYA UNIVERSITY
依托单位国家：
日本
项目类别：
Grant-in-Aid for Co-operative Research (A)
财政年份：
1985
资助国家：
日本
起止时间：
1985 至 1987
项目状态：
已结题

项目摘要

In these studies on fantastic lierature, we aim to find a rational definition of the genre. We therefore deemed it necessary to incorporate non literary angles as diverse as possible: music, fine arts, apiritualism, sociology, etc. Our literary approach itself includes the pre- and para-fantastic corpus, i.e. the "merveilleux", be it written or oral, learned or popular.In order to manage this vast corpus, we resorted to this initial, classic criterium: "the intrusion of the supernatural in daily life". However, rather than ill-defined abstract notions, we have priviledged concrete motifs such as masks, puppets, and double images; Whenever a text presents no realistic description involving one of the afore-mentionned motifs, we consider it non fantastic. We believe that mere metaphysical and abstract reveries are not capable of shcoking society.As for fantastic characters, we looked for modern emissaries of Evil in all guises. They may be musicians swayed by the Dark Side; or labyrinthine urban setting permeated with the spirits of evil. We have even spotted such grimacing spirits lurking in the corners of paintings by Monet and Cezanne. We have been able to establish a list (as exhaustive as could be) of the texts in which a latent presence of Evil can be detected.In most cases, the author strives to describe the strangeness of the human being suffering from the cleavage of the self. Alle men are puppets in teh hands of Fate; but, modern men having done away with the Supreme Being, we do not feel "guides par les haleurs", but make-shift gods, mimicking reflexions of ourselves.

在这些关于奇妙谎言的研究中，我们旨在找到对这种类型的理性定义。因此，我们认为有必要尽可能多地融合非文学角度：音乐，美术，狂热主义，社会学等。我们的文学方法本身包括前和偏见的狂人语料库，即“ Merveilleux”，无论是书面或口头，学到的，学到的还是流行的。但是，我们没有定义不明的抽象概念，而是具有诸如面具，木偶和双图像之类的混凝土图案。每当文本都没有提出涉及上述主题之一的现实描述时，我们就会认为它并非奇妙。我们认为，单纯的形而上学和抽象的崇敬没有能力宣传社会。作为出色的角色，我们在所有伪造中寻找现代的邪恶使节。他们可能是被黑暗面摇摆的音乐家。或迷宫的城市环境被邪恶的灵魂所渗透。我们甚至发现了莫奈和塞尚的绘画角落中潜伏的鬼魂。我们已经能够建立可以检测到潜在邪恶存在的文本的清单（尽可能详尽）。在大多数情况下，作者努力描述人类遭受自我裂解的陌生感。小说男人是命运手中的木偶。但是，现代人已经消除了至高无上的存在，我们不会觉得“指导帕尔·哈勒尔”，而是做换神，模仿自己的反射。