The Basic Research on Formative Process of Noh Drama in the Ages of Middle and Latter Muromachi Era

我考察了后泽米时期的能作家及其风格。在收集当代作家作品文本的基础上，还收集了不知名作家的作品，建立了一个《宇台本图》图片库，并利用该数据库对能剧作品进行了调查，得出了两个结果。一个是我可以调查和研究与Zeami的Yugen-Noh风格完全不同的作品，特别是关于战士的战斗的作品。另一种是我可以研究能作者宫间的全部作品，事实上，在Zeamis出现之前，就已经有很多能剧中出现武士的作品了。但在泽米时代，这样的作品很少被写出来。到了后泽米时代，这类作品再次流行起来，描述战士之间战斗的根泽野作品层出不穷，宫崎骏长期以来一直被认为是一个神秘的作家。但这项研究证明，他极有可能是伊势沙鲁古出身的能大鱼，在后泽米时期有很大的影响，住在伊势省的下目州，并在伊势省和大和省附近工作。似乎也有可能得出结论，他就是宫马次郎，他受雇于大和-沙鲁加库的Kanzeza学派，担任筑水球员，于公元1465年去世。在Nohon Sakusha Chumon，有十件作品以宫崎骏的作品命名，从未被区分真假。但通过这次调查，证实了这十件具有木根-能风格的作品中，有许多甚至是根在-能的方式。现在我们可以想象他的风格完全不同了。

I investigated the Noh-authors at post-Zeami period and their style. Collecting not only the texts of the works by contemporary authors, but also the works by unknown authors, making a database on pictures of Utai-bon, I made investigation into works of Noh drama with that database.I got two results from the investigation of works of Noh drama. One is that I could investigate and researched into the works that has the exactly different style from Zeami's Yugen-Noh, especially into the works about the battles of warriors. The other is that I could investigate whole works written by Noh-author Miyamasu.In fact, before Zeamis appearance there had already been many works of Noh drama which warriors appear in. But under the Ages of Zeami, such works were rarely written. Then post-Zeami period had come, that kind of works became popular again ; Genzaino-works, describing battles between warriors, were written one after another.Miyamasu has been considered a mysterious author for a long time. But this research proved that there was a strong possibility that he was a Noh-dayu of Ise-Sarugaku's origin, had a big roll at post-Zeami period, lived Shimokusu in the Province Ise, and worked around the Province of Ise and Yamato. It also appeared a possibility to conclude that he was Miyamasu Jiro-Goro who was employed as the Tsuzumi-Player by Kanzeza-School belonging to Yamato-Sarugaku and died in 1465 A.D. In Nohon Sakusha Chumon, there are ten pieces of works named for Miyamasu's work and it had never been distinguished between true or false. But through this investigation, it was confirmed that many of those ten works that have Mugen-Noh Style were even made in Genzai-Noh's way. Now we can imagine his style wholly differently.