Historical study on the relationship between literature and political ideology under Soviet Totalitarianism

2)被动支持斯大林政权的安德烈·普拉托诺夫的作品如何表现第一个五年计划和农场集体化的现实，以及他的乌托邦观点在这些作品中表现出了哪些变化。本课题旨在探讨苏联极权国家下文学与政治意识形态的关系。它特别关注20世纪20年代末斯大林政权开始到二战后日丹诺夫反形式主义运动之间的20年间的文学艺术作品。通过审查以前的作品以及自佩雷斯特罗卡以来才有的档案和审判记录的原始数据，该研究调查了以下六个主题：1)在斯大林统治下的米哈伊尔·布尔加科夫(作家)和奥西普·曼德尔什坦(诗人)的作品中，作为抵抗手段的‘假装效忠’(或双语)。3)被禁诗人安娜的作品中使用的生存策略。在审查制度的巨大镇压下的阿赫马托娃，以及她的诗《安魂曲》中“孕产”和“记忆”的含义。4)极权国家下遭遇暴力死亡(自杀或被杀)的弗拉基米尔·马亚科夫斯基(诗人)和马克西姆·戈利基(作家)之死的本体论意义。5)斯大林的权力与其在文学以外的体裁中的表现之间的关系，即音乐(德米特里·肖斯塔科维奇)、电影(谢尔盖·艾森申坦)和摄影(亚历山大·罗琴科)，他们是与苏联极权主义和解还是抵抗极权主义。6)索罗金和卡巴科夫在反斯大林主义之后的文学作品中的“抵抗”和后现代主义的逻辑，以及在这些作品中观察到的极权主义倾向的意义。

2) How the reality of the First Five-year Plan and Farm collectivization were represented in the works of Andrei Platonov who passively supported the Stalin regime and what changes are observed in his Utopian perspectives as represented in these works.This project aimed to investigate the relationship between literature and political ideology under the Totalitarian state in the Soviet Union. Its particular focus was on the works of literature and art during the twenty years between the beginning of Stalin regime in the late 1920s and Zhdanov anti-formalist campaign after World War II. Through examination of previous works and primary data from archives and trial records which only became available since Perestroika, the study investigated the following six topics :1) The 'feigned allegiance' (or double tongue) as means of resistance in the works of the Michail Bulgakov (writer) and Osip Mandelshtam (poet) under the Stalin regime.3) The strategies of survival used in the works of a forbidden poet Anna. Akhmatova under the great suppression by censorship, and the meaning of "maternity" and "memory" in her poem ' Requiem'.4) The ontological meaning of the death of Vladimir Mayakovsky (poet) and Maxim Goliky (writer) both of who met a violent death (committed suicides or was killed) under the Totalitarian state.5) The relationship between Stalin's power and its representation in genres other than literature, that is, music (Dmitry Shostakovich) , film (Sergei Eisenshtein) , and photography(Alexander Rodchenko) , whether they reconciled with Soviet Totalitarianism or resisted it.6) The logic of 'resistance' and post-modernism in the literary works of Vladimir Sorokin and artistic works of Ilia Kabakov after anti-Stalinism as well as the significance of Totalitarian tendencies observed in these works.