The acoustic perception of the World - Music in the German bourgeois culture and its images figured in the contemporary literature

在18世纪末。世纪和19世纪上半叶。世纪，当印刷品的数量在德国国家急剧增加时，视觉上升到人类感官层次的顶端，因为印刷的字母在视觉上影响着人类的头脑。口头交流的传统岌岌可危。正是在这个时候，许多知识分子把注意力转向了口头传统。尽管当时人类感官的等级制度有利于视觉艺术，但19世纪上半叶的德国音乐文化却蓬勃发展。本研究的主要观点如下：1。赫尔德、阿尼姆等德国知识分子是如何产生收集和保存德国古老民歌的想法的。他们对口头传统的重新发现如何影响当代文学作品中声学元素的重要性。2.德国资产阶级音乐文化的状况及其对当代人的声音形象的影响，具体而言，我研究了民歌收藏家的宣言、理论和文学文本，并对这些文本中的歌唱者形象进行了特别的思考，涉及以下几个主题：1.民歌的收集与德意志民族认同的关系。2.今天对19世纪浪漫主义口头传统观的批判。世纪。3.收集德国幼儿园歌曲。另一方面，研究音乐史官的批评，思考女性音乐表演的形象。我必须进一步询问为什么德国知识分子在1800年左右更喜欢将声学图像与“其他人”联系起来，例如妇女或“民间”，即没有文化的人。

At the end of the 18. century and the first half of the 19. century, when the amount of printed matters increased drastically in German countries, the vision rose to the top of the hierarchy of human senses, because printed letters affect human minds visually. The tradition of oral communications was in danger. Exactly at this moment many intellectuals turned their attention to the oral tradition. Although the hierarchy of human senses at this time was favorable to visual arts, the music culture was in full bloom in Germany at the first half of the 19. century.The important viewpoints of my research are the followings : 1. How the German intellectuals, such as Herder and Arnim, came to the ideas that they should collect and reserve old German folk songs. How their rediscovery of oral tradition influenced on the significance of acoustic elements in contemporary literary works. 2. The situation of the music culture of German bourgeois and their influences on the acoustic images of contemporary people.To put it concretely I researched in manifestoes, theoretical and literary texts of folk song collectors and contemplated specially the images of singing people in those texts, with reference to the following subjects : 1. relationship between the collecting of folk songs and national identity of the Germans. 2. today's critical judgment about the romantic view of oral tradition in the 19. century. 3. collecting of German nursery songs. On the other hand I researched in the critics of music historiographers and contemplated the images of women's music performances. I must inquire further why the German intellectuals about 1800 preferred to connect acoustic images with "others", such as women or "folk" i.e. uncultured people.