Reception and Productions of Shakespeare in Asia -Starting from Okinawa and Mainland Japan-

这项研究的目的是了解日本对莎士比亚的接受和莎士比亚作品的全球和本地方面，重点是冲绳作品作为日本和亚洲其他地区之间的桥梁。计划的重点如下：1)莎士比亚在亚洲的接受和改编历史-2)莎士比亚在冲绳戏剧中的接受和改编3)战后冲绳和莎士比亚的当代改编4)莎士比亚在冲绳和其他亚洲国家的当代改编尽管由于SARS的缘故，项目有一些变化，但我可以在其他亚洲国家的三个国际会议上发表演讲，以及在日本大陆、冲绳和亚洲其他地区的研究。然而，正如Rustom Bharucha在新加坡国际会议上所指出的那样，他在新加坡举行的国际会议上发表了讲话，题为《莎士比亚在新亚洲的表演，》“亚洲传统戏剧知识匮乏的学者的肤浅评论”可以归结为复兴莎士比亚经典的救赎东方。有鉴于此，我将以大和(日本大陆)与冲绳的关系为重点，就上述四点作一报告。报告将包括对金瑞坎事件的调查，以及对日本和冲绳第一部改编自《奥赛罗》的戏剧的调查，莎士比亚作品的真志高竹、大手艺馆和大一(由Teruya Kyoko领导的剧团)，以及科威特导演Sulayaman根据哈姆雷特改编的当代作品《阿尔·哈姆雷特峰会》的评论。

The aim of this research was to see the global and local aspects of Japanese reception and productions of Shakespeare, focusing on Okinawan productions as a bridge between Japan and the rest of Asia. The plan was to focus as follows :1)The history of reception and adaptations of Shakespeare in Asia -2)Reception and Adaptations of Shakespeare in Okinawan Drama3)The post-war Okinawa and Shakespeare4)Contemporary Adaptations of Shakespeare in Okinawa and other Asian countriesThough there have been some changes in the project for the limitation of field work and cancellation of international conferences owing to SARS, I could give presentations at three international conferences in other Asian countries, as well as research in Mainland Japan, Okinawa, and some other regions in Asia.However, as Rustom Bharucha points out in his response to the international conference in Singapore entitled "Shakespeare Performances in New Asias," superficial reviews by scholars with scarce knowledge in traditional Asian theatre "can be reduced to a redemptive Orient in rejuvenating the Shakespearean Canon." With that in mind, I am giving here a report about the above four points, with the Yamato (Mainland Japan)-Okinawa relationship as a key. The report will include a survey on Jinruikan Incident and the first adaptation of Othello in Japan and Okinawa, the Shakespearean works of Makishi Kochu, Otohime Gekidan and Daichi (a troupe led by Teruya Kyoko), as well as a review on Al Hamlet Summit, a contemporary adaptation of Hamlet by Sulayaman, a Kuwait-based director.