A Study Pluralistic Relations on Representing women between Cinema, Visual Image, Print Culture, and Literature through Comparative Studies France, China, and Japan

本研究通过对视听表达、平面文化和文学表达之间关系的多元考察，阐明了以下五点：1、为了论证视听表达和文学表达的区别，本文对电影和文学进行了理论分析。值得注意的是，随着后现代主义相关理论的重建，结构主义和符号学的相关理论也被重新评估，以阐明改编为电影和文学的可能性。2，通过对现代日本电影、绘画、照片和图标之间关系的多元考察，可以看出1930年的S至1990年的S代表女性的历史转型。3，根据现代日本文学表达与印刷表达的互动，阐明了1930年S至1990年S代表女性的历史转型。4、法国、中国与日本从1930年的《S》到1990年的《S》通过对电影、绘画、照片和形象之间关系的多元考察来澄清。5、对性别研究和女权主义批评的结果进行了理论分析，以解构代表女性的形象。

This research conducted clarifies the following five points through a pluralistic investigation of the relationships between audio-visual expression, print culture, and literary expression.1, In order to demonstrate the differences between audio-visual expression and literary expression, a theoretical analysis on cinema and literature was conducted. Notably, a re-evaluation of theories related to structuralism and semiotics was carried out along with the re-construction of theories related to post modernism to illuminate the possibility for adaptation in cinema and literature.2, The historical transfiguration of the representing women from 1930's to 1990's becomes evident through an pluralistic examination of the relationships between films, paintings, photographs and icons in Modern Japan.3, The historical transfiguration of the representing women from 1930's to 1990's was clarified according to the interaction between literary expression and printed expression in Modern Japan.4, The historical similarities and differences of representing women between France, China and Japan from 1930's to 1990's was conducted clarifies through an pluralistic examination of the relationships between films, paintings, photographs and icons.5, A theoretical analysis on the results gender studies and feminist criticism was conducted for the deconstruction of the representing women.