Comparative Aesthetic Studies on the Sound hearing found in Classical Literature

据指出，有一个特殊性，在日本的声音听觉，特别是对自然的声音，如风的声音，蟋蟀的鸣叫声，鸟类的音符等，这是断言，超过四分之一的cenrury由脑生理学家Tadanobu Tsunoda，这种特殊性来自日本的大脑机制：对于西方人来说，自然的声音在大脑的第九语言半球被当作噪音来听，而对于日本人来说，它们在大脑的语言半球被当作有意义的声音来听。他的论断得到了科学的证明，并得到了人们的支持。但从他自己的话中可以看出，他的论断并不成立，因此笔者得出结论：日本人对自然声音的听觉特性并不取决于大脑的听觉机制，而是取决于日本人在传统上形成的、主观间的文学审美意识。本文通过对《万叶集》、《晓金若书》、《元氏物语》、《平家物语》、《松尾芭蕉》等古典文学作品中的听觉特点的分析，阐明了这种听觉特点是由文学审美观念的传统、传统的住宅结构和旅行等生活方式所形成的。

It has been indicated that there is a peculiarity in the Japanese sound hearing, especially about natural sounds such as sound of wind, chirps of cricket, notes of birds etc. It was asserted ,more than a quarter of cenrury by brain physiologist Tadanobu TSUNODA that this peculiarity derives from the Japanese brain mechanism : in the case of Westerners, the natural sounds are heard as noises in the nin-lingistic hemisphere of brain,while in the case of Japaneses,they are heard as meaningfull sounds in the lingstic hemisphere of brain.. His assertion was scientifically proved ,and became supported by people. But given hint by his own saying that his assertion had no validity for his chaild, I reached the conclusion that the Japanese peculiarity of natural sounds hearingdepends noton the auditory mechanism of brain, but on the Japanese literary aesthetic senswhich has been traditionally and interrsubjectively formed by Japaneses. Our studies elucidate, analizing the sound hearing found in classic literary works including Manyoshu, Xokinwakashu, Genjimonogatari,, Heikemonogatari,,Matsuo Basho's poetry works, that this peculiarity has been formed by the tradition of the literary aesthetic sens, the traditional strucrure of house and the life style e.g.journey..