The literary theory of Maurice Blanchot and the modern art

我出版了《文学的最小意象》一书，这是对世纪法国著名文学批评家莫里斯·布朗肖的文学理论和小说中语言与意象关系的研究<th>。从这一角度出发，我分析了（1）19世纪诗人马拉美的诗学和关于绘画的文章<th>，（2）1950- 1960年现代艺术中发现的并由布朗肖实践的碎片形式，（3）当代诗人米歇尔·德吉的诗学和关于隐喻的文章，（4）关于阿波利奈尔和巴尔扎克艺术作品的小说。

I published The Minimal Image of the Literature, a study on the relation between language and image in the literary theory and the fictions of Maurice Blanchot, eminent literary critic of 20^<th> century France. And from that perspective, I analyzed (1) the poetics and the essays on the picture of 19^<th> poet Stephane Mallarme, (2) the fragmentary form found in the modern art in the 1950-60 and practiced by Blanchot, (3) the poetics and the essays on the metaphor of the contemporary poet Michel Deguy, (4) the novels on the work of art of Appolinaire and Balzac.