Rethinking the "Ueber-marionette": The Intersection between theater reform, dance revolution and the renaissance of puppetry

本研究旨在从身体史的角度，将爱德华·戈登克雷格的“尤伯-木偶”概念解读为戏剧改革、舞蹈革命和木偶艺术复兴的交汇点。分析了这一概念与世纪初德语国家的身体文化、舞蹈和木偶戏之间特别密切的联系。研究结果发表在学术期刊《Deutschstudien》上。关于另一个研究课题，在德国出版的一本论文集中又收录了一篇关于瓦尔特·本雅明作品中木偶般身体的文章。在这项研究中收集的宝贵材料，包括克雷格未发表的手稿，将构成未来工作的基础。

The purpose of this research is to interpret Edward Gordon Craig's concept of "Ueber-Marionette" as the intersection of theater reform, dance revolution and the renaissance of puppetry, considered from the perspective of the history of the body. It analyzed the especially close connections between this concept and body culture, dance, and puppetry in German speaking countries at the beginning of the 20th century. The results were published as an article in the academic journal "Deutschstudien". In relation to another research topic, one more article about the puppet-like body in the works of Walter Benjamin was included in a collection of essays published in Germany. The valuable materials collected during this research, including Craig's unpublished manuscripts, will form the foundation for future work.