Cross-creative industries interactive production model for isolated practitioners

2018年，英国创意产业为英国经济创造了超过1117亿英镑的总增加值，增速超过英国经济增速的5倍。它的创造力和创新通过奖项、出口和投资得到了全世界的认可。然而，新冠肺炎大流行已导致所有电视和电影制作暂停，所有影院关闭，图书合同推迟或取消，游戏行业被迫退出。迫切需要找到一个能够重新开始生产的生产框架，通过突破性地使用新技术和做法来改变传统技术。该项目汇集了来自创意技术和沉浸式戏剧领域的两家先锋公司，以定义一种新的虚拟制作和收入分成模式，该模式将通过研究和原型验证，从而为商业生产提供资金。该项目将汇集电影、电视和游戏行业的优秀人才，根据约翰·温德姆（John Wyndham）的小说《海妖守灵》（The Kraken wake）制作一部身临其境的电影，该小说的主题是孤立、复原力、气候变化和虚拟交流。除了快速定义一种新的生产模式外，该项目旨在成为创意产业的宣泄方式，以反映不断变化的民族情绪，增加积极性和弹性。

In 2018, the UK Creative Industries sector accounted for over £111.7bn of Gross Value Added to the UK economy and was rising at over 5x the rate of the UK economy. Its creativity and innovation has been recognised worldwide through awards, export and investment. However the Covid-19 pandemic has halted all television and film production, closed all theatres, delayed or cancelled book contracts, and displaced the games sector.There is an urgent need to find a production framework which can restart production, transforming traditional techniques through the ground-breaking use of new technologies and practises.This project brings together two pioneering companies from the creative technology and immersive theatre sectors to define a new virtual production and revenue share model which will be proven through research and prototyping, leading to funding of a commercial production.The project will bring together talented individuals across film, television and games industries to produce an immersive adaptation of John Wyndham's book The Kraken Wakes, which deals with themes of isolation, resilience, climate change and virtual communication. As well as rapidly defining a new model of production, the project aims to be a cathartic use of the creative industries to reflect the evolving national mood, increasing positivity and resilience.