'Susanna Hall and Hall's Croft: Gender, Cultural Memory, Heritage'

在我们对历史和遗产地的共同体验处于危机点的时候，随着气候变化和新冠肺炎的双重全球危机与文化记忆更大包容性的积极运动相结合，“苏珊娜·霍尔和霍尔的克罗夫特：性别，文化记忆，遗产”将为我们如何体验当地和全球的文学和文化遗产提供紧急干预。它将提供第一个完整的案例研究苏珊娜大厅（威廉莎士比亚的长女）和她的家，大厅的克罗夫特，由莎士比亚的地方信托，该项目的组织合作伙伴拥有。纠正苏珊娜在文化记忆中的边缘地位，对于增进人们对女性历史和遗产的理解具有重要的现实意义，对于为遗产展示和学术研究构建一个包容、透明的未来也具有重要的象征意义。该项目挑战了早期现代女性如何被历史化，并在当地和全球的文学和文化遗产的构建中发挥中介作用，通过对苏珊娜·霍尔（娘家姓莎士比亚）和她在斯特拉特福德-论-雅芳的家的案例研究。苏珊娜的房子，霍尔的克罗夫特，是向公众开放，每年吸引85,000游客。苏珊娜活到66岁，在此期间，她结婚了，生了一个女儿，并遭受了公开指控通奸的重大丑闻，她与她的丈夫著名医生约翰·霍尔一起提起了诽谤案。她比约翰活得长，管理一个家庭，谈判销售她的霍尔手稿，并可能接管了他的医疗工作的方面，以愈合的形式，并作为一个“聪明的女人”。通过基于一系列证据的新研究，包括第一个完整的现代英语翻译（威尔斯和埃德蒙森，2020年）约翰霍尔的案例，该项目将苏珊娜置于她的家乡斯特拉特福德-论-雅芳的女性人口中，在她自己的时代。首先，该项目将苏珊娜和她的家的建设作为国内和国际文化记忆和遗产的场所。该项目重新审视苏珊娜的贡献，无论是作为一个“真实的”和想象中的女人，私人和公共生活，文本和材料的历史。本项目以霍尔的克罗夫特为例，探讨文化记忆和遗产的性别本质，以及它们与地方、国家和全球的个人和群体记忆的关系，为呈现早期现代女性的遗产叙事提供了新的方法（或者更准确地说，是它们的截断或遗漏）与文学文化遗产的建构，特别是早期现代女性在莎士比亚叙事和遗产空间。霍尔克罗夫特的妇女历史和苏珊娜大厅的建设的交叉点是一个更广泛的需要重新调解妇女的叙述在遗产介绍的典范。这个项目提出了新的研究，并探讨如何档案来源已被利用在过去的叙述，以建设和代表苏珊娜和霍尔的克罗夫特。该项目揭示了该网站作为探索早期现代女性健康和福祉，识字和资源管理实践的空间的重要性，以及质疑父亲和丈夫在我们苏珊娜文化记忆中的主导地位。在构建记忆和遗产的话语和叙事中，该项目考察了女性的机构，权力和身份，利用苏珊娜的生活，声誉-以及随后的历史化，虚构化和调解-来审视和干预遗址和叙事如何构建文化记忆。该项目利用创新的数字人文技术来创造产出，鼓励我们在学术和休闲环境中体验遗产叙事的自主权，揭开学术研究如何为遗产展示提供信息的盖子，并邀请用户积极参与构建共享的遗产叙事。

At a time when our shared experience of history and heritage sites is at a crisis point, as dual global crises of climate change and Covid meet positive movements towards greater inclusivity of cultural memory, 'Susanna Hall and Hall's Croft: Gender, Cultural Memory, Heritage' will provide an urgent intervention in how we experience literary and cultural heritage, both local and global. It will offer the first ever full case study of Susanna Hall (William Shakespeare's eldest daughter) and her home, Hall's Croft, owned by the Shakespeare Birthplace Trust, the organisational partner for the project. Rectifying Susanna's sideline position in cultural memory is both practically vital in increasing understanding of women's history and heritage and powerfully symbolic in building an inclusive, transparent future for heritage presentation and academic research.The project challenges how early modern women have been historicised and mediated in the construction of literary and cultural heritage, both local and global, via a case study of Susanna Hall (née Shakespeare) and her home in Stratford-upon-Avon. Susanna's house, Hall's Croft, is open to the public and attracts 85,000 visitors each year. Susanna lived to 66 years of age, during which lifetime she married, had a daughter and suffered the major scandal of a public accusation of adultery, countered by a slander case she brought, together with her husband the renowned physician, John Hall. She outlived John to manage a household, negotiate the sale of her Hall's manuscripts and probably took over aspects of his medical work in the form of healing and acting as a 'wisewoman'. Via new research based on a range of evidence, including from the first complete modern English translation (Wells & Edmondson, 2020) of John Hall's Casebooks, the project contextualises Susanna within the female population of her home town, Stratford-upon-Avon, in her own time. Primarily, the project scrutinises the construction of Susanna and her home as a site of cultural memory and heritage both nationally and internationally. The project re-examines Susanna's contribution, both as a 'real' and as an imagined woman, to private and public life and to textual and material history. It investigates Hall's Croft's case to interrogate the gendered nature of cultural memory and heritage and their relationship with individual and group memory, locally, nationally and globally.This project presents new ways to present heritage narratives of early modern women (or, more accurately, their truncation or omission) and the construction of literary cultural heritage, specifically early modern women in the Shakespeare narrative and heritage spaces. The intersections of women's history at Hall's Croft and the construction of Susanna Hall are paradigmatic of a wider need for the re-mediation of women's narratives in heritage presentation. This project presents new research and examines how archive sources have been utilised in past narratives to construct and represent Susanna and Hall's Croft. The project reveals the importance of the site as a space to explore early modern women's health and wellbeing, literacy and resource management practices as well as questioning the dominance of father and husband in our cultural memory of Susanna. Examining female agency, power and identity in constructing discourses and narratives of memory and heritage, the project uses Susanna's life, reputation - and subsequent historicisation, fictionalisation and mediation - both to scrutinise and to intervene in how sites and narratives construct cultural memory. The project utilises innovative digital humanities technologies to create outputs that encourage autonomy in how we experience heritage narratives, both in academic and leisure contexts, lifting the lid on how academic research informs heritage presentations and inviting users to play an active part in constructing shared heritage narratives.