A practice based enquiry exploring female archetypes in native folklore and how these might play as source material in contemporary film narratives.

一位小说电影制作人通过对古代英国民间故事的研究，探索了她作为讲故事人的文化遗产。她确定了叙事模式、主题和女性原型，并在自己的创作实践中重新利用它们，制作了几部以现在为背景的原创故事片。她利用电影现实主义的逼真性重新设置了当代世界中的原型和超凡脱俗的元素，扩大了这种电影形式的范围，包括精神体验。她的目标是扩展现实主义电影的能力，更好地表达和塑造意识，并找到表达女性心理的手段。

A fiction filmmaker explores her cultural inheritance as a storyteller by examination of ancient British folktales. She identifies narrative patterns, motifs and female archetypes and re-appropriates them in her own creative practice, making several original fiction films set in the present. Re-setting archetypal and otherworldly elements in the contemporary world using the verisimilitude of cinematic realism, she expands the range of this cinematic form to encompass spiritual experiences. Her aim is to extend the capacity of realist cinema to better articulate and model consciousness, and find means to express the feminine psyche.