IS MY BODY OUT OF DATE(s)? The Drag of Physicality in the Digital Age

将拖拽作为一种奇怪的分析和艺术工具，这项以实践为主导的研究着眼于数字时代肉体肉体的感知负担（摆脱我的身体会更容易）与获得这一点的奇怪/交叉女权主义含义（没有我的身体，我会是谁，在哪里？）之间的张力。为了探索这一点，我将从四个不同的方向通过理论和实践来进行拖拽：向下，就像上面描述的物质负担;向上拖拽，作为一种夸大物质性的方式，带有它所有的混乱，卑鄙，未改进的荣耀;拖走，作为一种逃避的方式（或变得无法追踪）并拖过：多个机构体现和执行一个单一的共同身份，作为一个行动，参与，合作和混乱面对新自由主义者，个人主义者，实证主义者声称同一性。这种阻力将发生在线和离线，网络和单独，并设置在人工智能的精英话语的背景下，外行星逃生和跨人文主义的理论，让我们这些不可能逃脱的人感觉我们的身体过时了;我们的身体是一种负担。

Taking drag as a queer analytic and artistic tool, thispractice-led research looks at the tension between theperceived burden of fleshy physicality in the digital age onthe one hand (it would be easier to be free of my body), andthe queer/intersectional feminist implications of attainingthis on the other (who and where would I be without mybody?). To explore this, I will drag drag through theory andpractice in four different directions: down, as in the physicalburden described above; dragging up, as a way ofexaggerating physicality with all its messy, abject,unimproved glory; dragging away, as a mode of escape (orbecoming untraceable) and dragging across: multiple bodiesembodying and performing a single common identity as acall to action, participation, collaboration and confusion inthe face of neo liberalist, individualist, positivist claims toidentity. The drag will take place online and offline,networked and separately and is set against the backdrop ofelite discourses of AI, extra-planetary escape and theories oftrans-humanism that leave those of us for whom suchescape is not possible feeling that our bodies are out of date;our physicality a burden.