Edges of the Body: Camouflage and the Performative Dimensions of Morphology

这个基于实践的研究项目将伪装作为一个新的概念来研究编舞实践中的主体性。变色龙术语为处理主体间性和表演者-观众代理问题提供了一个框架，这些问题在最近的讨论中很少受到关注。在自我和环境的相互作用中，我的目标是让伪装和编舞相互交叉，以便对一系列研究问题做出回应，这些问题探讨了在最近的编舞转向艺术想象和制度协议的背景下，自我和社会共同构成的新形式是如何展开的。伪装如何提供一个镜头来调查自我的空间和物质组织与环境和社会的关系？为此，本研究计划将运用城市心理地理学的实证研究、具身运动研究、以工作室为基础的视觉研究和书面作品。该项目分为三个阶段，包括六章论文、三场舞蹈现场表演、一件录像作品和一个闭幕个展。

This practice-based research project develops camouflage as a novel concept for the study of subjectivity in choreographic practice. The chameleonic term provides a frame for tackling questions of intersubjectivity and performer-audience agency, issues that have received little attention in recent discourse. In the interplays of self and environment, I aim for camouflage and choreography to intersect and interlace in order to develop responses to a series of research questions that investigate how new forms of co-constitutions of the self and the social unfold against the backdrop of the recent choreographic turn in the artistic imagination and institutional protocols. How can camouflage provide a lens for investigating the spatial and corporeal organisations of the self in relation to an environment and society at large? To this end, this research project will employ empirical research in urban psycho-geography, embodied movement research, studio-based visual research and written work. Divided into three phases, this project develops a thesis of six chapters, three choreographic live performances, a video work and a concluding solo exhibition.