Locating Transness in Experience of Popular Music: A Queer Phenomenological Approach

在音乐学中，跨性别经历历来被恋物崇拜，并通过专注于艺术、音乐和生物性别的案例研究加以阐释；然而，研究确实反映出流行音乐中的跨性别渗透到音乐成分、歌词、视觉表演美学和表演者身份中。在一种理解流行音乐跨性别体验的新方法中，我，一个非二元的人，打算通过酷儿现象学的镜头来识别和检查流行音乐是如何定位跨性别的。我将通过对hip-hop和dance音乐伞下的音乐片段的详细分析，以及在特定空间中的体验来做到这一点；变装表演，舞厅活动，还有时装表演。

Trans experience has historically been fetishised and othered in musicology through casestudies preoccupied with Art Music and biological gender; however, research has sincereflected that transness in popular music permeates musical components, lyrics, visualperformance aesthetics, and performer identity. In a new approach towards understandingtrans experience of popular music, I, a non-binary person, intend to identify and examinehow popular music locates transness through a queered phenomenological lens. I will dothis through detailed analysis of pieces of music under the hip-hop and dance musicumbrella, and the experience of it, in specific spaces; drag shows, ballroom events, andfashion shows.