Hunting for the beat in the body: on period and phase locking in music-induced movement.
Hunting for the beat in the body: on period and phase locking in music-induced movement.
复制标题
DOI：
10.3389/fnhum.2014.00903
复制
发表时间：
2014
影响因子：
2.9
通讯作者：
Toiviainen P
中科院分区：
文献类型：
--
作者：
Burger B;Thompson MR;Luck G;Saarikallio SH;Toiviainen P
音乐具有在人体内诱导运动的能力。在听音乐时，这种反应通常是自发的，范围从敲击到全身舞蹈。然而，目前还不清楚人类是如何体现音乐结构来促进夹带的。本文描述了两个实验，一个是关于全身运动中不同韵律水平的周期锁定及其与节拍和节奏相关的音乐特征的关系，另一个是在更受约束的侧向摇摆运动条件下的相位锁定。实验一预期的是，节拍结构清晰而有力的音乐将促进更多的周期锁定运动。实验2假设参与者的摇摆动作和音乐节拍之间存在共同的相位关系。在这两个实验中，光学动作捕捉被用来记录参与者的动作。在实验1中，基于三维加速度数据，建立了与四个测量水平相关的基于窗口的周期锁定概率指标。随后，该指数与刺激的音乐特征之间的相关性表明，脉冲清晰度与Tactus水平的周期性运动有关，而低频流量与Tactus和bar水平的内侧和前后运动有关。在更快的节奏下，更高的韵律水平在参与者的运动中变得更加明显。实验二表明，约半数受试者的动作与节拍之间存在稳定的位相关系，上下位运动最常同步于乳头肌水平，而内侧运动更多地同步于横杆水平。然而，运动时相与节拍位置之间的关系在参与者之间并不一致，因为节拍位置发生在他们动作的不同相角。这些结果表明，音乐的缠绕是一个复杂的现象，涉及全身，发生在不同的韵律水平上。
Music has the capacity to induce movement in humans. Such responses during music listening are usually spontaneous and range from tapping to full-body dancing. However, it is still unclear how humans embody musical structures to facilitate entrainment. This paper describes two experiments, one dealing with period locking to different metrical levels in full-body movement and its relationships to beat- and rhythm-related musical characteristics, and the other dealing with phase locking in the more constrained condition of sideways swaying motions. Expected in Experiment 1 was that music with clear and strong beat structures would facilitate more period-locked movement. Experiment 2 was assumed to yield a common phase relationship between participants' swaying movements and the musical beat. In both experiments optical motion capture was used to record participants' movements. In Experiment 1 a window-based period-locking probability index related to four metrical levels was established, based on acceleration data in three dimensions. Subsequent correlations between this index and musical characteristics of the stimuli revealed pulse clarity to be related to periodic movement at the tactus level, and low frequency flux to mediolateral and anteroposterior movement at both tactus and bar levels. At faster tempi higher metrical levels became more apparent in participants' movement. Experiment 2 showed that about half of the participants showed a stable phase relationship between movement and beat, with superior-inferior movement most often being synchronized to the tactus level, whereas mediolateral movement was rather synchronized to the bar level. However, the relationship between movement phase and beat locations was not consistent between participants, as the beat locations occurred at different phase angles of their movements. The results imply that entrainment to music is a complex phenomenon, involving the whole body and occurring at different metrical levels.
登录
查看更多内容
影响因子：
2.1
作者：
Large, EW
通讯作者：
Large, EW
影响因子：
3.4
作者：
Drake, C;Jones, MR;Baruch, C
通讯作者：
Baruch, C
DOI：
10.3758/bf03212238
发表时间：
1992-02-01
期刊：
PERCEPTION & PSYCHOPHYSICS
影响因子：
--
作者：
COLLYER, CE;BROADBENT, HA;CHURCH, RM
通讯作者：
CHURCH, RM
影响因子：
3.8
作者：
Burger B;Thompson MR;Luck G;Saarikallio S;Toiviainen P
通讯作者：
Toiviainen P
DOI：
10.1111/j.2517-6161.1995.tb02031.x
发表时间：
1995-01-01
影响因子：
5.8
作者：
BENJAMINI, Y;HOCHBERG, Y
通讯作者：
HOCHBERG, Y