The pipe-clay figurine production site at Worms. Master, Workshop and Influence of an Exemplary Art-Pottery in the 15th Century.

沃尔姆斯的管泥人生产基地。

• 批准号: 192044327
• 负责人: Dr. Gerald Volker Grimm
• 金额: --
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2010
• 资助国家: 德国
• 起止时间: 2009-12-31 至 2014-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/192044327?language=en
• 关键词: pipe; clay; figurine; production; site

The project that has been scheduled to be interdisciplinary from the beginning has brought far-reaching results, as the identification of a refuse pit in Utrecht as deriving from a former member of the Worms workshop. This production, the association with stove tiles from Hungary and stratified finds from Cologne and elsewhere ensure together with the connection of the mould generations, that have been established before, that some of the figurine types in Worms have been copied elsewhere in the middle of the 15th century. Because the figurines in the Museum of Worms do not derive from stratified layers of the late Middle Ages, in June 2011 a feature from Aachen, dating c 1430-1450, was included into the project. It contains also a variant of the Madonna type Foy, which is one of the main focuses of this study. The more than 900 figurines from the excavation in 1993-94 originate just of a part of the production period, 1425-1460 resp. c 1420-1475/90. The finds have been displaced in the baroque era. But there is evidence for a horizontal stratigraphy. Three pieces of the kiln furniture enclose traces of a real stratigraphy. There some figurines left their marks that can not only be identified by type, but also by mould genealogy. Since the excavations from 1993-94 are known, it is evident that in Worms the greatest complex of figurines, moulds and reliefs from the late Middle-Ages came to light. Because it is linked to works of followers and the products are spread nearly over the whole of Central Europe one can expect groundbreaking results about the dark ages of sculpture between the international style and the late 15th century.

该项目从一开始就计划是跨学科的，已经取得了深远的成果，因为乌得勒支的一个垃圾坑被确定为来自蠕虫车间的一名前成员。这种生产，与来自匈牙利的炉砖和来自科隆和其他地方的分层发现的关联，以及之前已经建立的模具代之间的联系，确保了蠕虫中的一些雕像类型在世纪中期被复制到其他地方。由于蠕虫博物馆中的小雕像并非来自中世纪晚期的分层地层，2011年6月，一个来自亚琛的特征（约1430-1450年）被纳入该项目。它还包含一个麦当娜类型福伊的变体，这是本研究的主要重点之一。1993年至1994年挖掘的900多个小雕像只是1425年至1460年生产时期的一部分。c 1420-1475/90。这些发现物在巴洛克时期被转移了。但有证据表明存在水平地层。三件窑具包含了真实的地层的痕迹。在那里，一些小雕像留下了他们的印记，不仅可以通过类型来识别，而且可以通过模具谱系来识别。由于1993-94年的发掘是已知的，很明显，在蠕虫的最大的复杂的雕像，模具和浮雕从中世纪晚期来到光。因为它与追随者的作品联系在一起，产品几乎遍布整个中欧，人们可以期待国际风格和15世纪世纪后期之间的雕塑黑暗时代的开创性成果。