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Music and Confessional Strife: The Sacred Music of Michael Praetorius (1571/72-1621)

音乐与忏悔冲突：迈克尔·普拉托里乌斯（Michael Praetorius，1571/72-1621）的神圣音乐

基本信息

批准号：
226657891
负责人：
Dr. Beate Agnes Schmidt
金额：
--
依托单位：
依托单位国家：
德国
项目类别：
Research Grants
财政年份：
2013
资助国家：
德国
起止时间：
2012-12-31 至 2019-12-31
项目状态：
已结题

来源：
https://gepris.dfg.de/gepris/projekt/226657891?language=en
关键词：
Music Confessional Strife Sacred Michael

项目摘要

The project researches the sacred music of Michael Praetorius in its functional, liturgical and secular contexts in the years before the outbreak of the Thirty Years' War. His extraordinarily diverse work, which has not been explored systematically, comprises more traditional polyphonic motets, over a thousand simple homophonic four-part settings, and numerous chorale motets as well as richly orchestrated sacred concerts. Particularly in the latter, Praetorius experimented with impressive sound effects, mixing Italian and English styles of music with typical German traditions. In terms of its encyclopaedic plan and its theological programme, his work is nearly unrivalled in Germany during the early Seventeenth Century. Nonetheless, no fundamental attempt has been made to investigate this oeuvre in a systematic way and particularly to take into account its characteristic intertwining between aesthetics, religion and politics.Praetorius, a director of music at the Lutheran princely courts of Brunswick-Wolfenbüttel, Dresden and Halle, indeed viewed himself not only as a musician but also as a theologian, scholar and educator. A central concern of his theoretical and iconographic work was the defence of (Lutheran) church music against Calvinist claims to limit its use to simple psalm singing. To what extent his musical work was equally shaped by and can be seen as a response to current religious political conflicts, particularly with respect to the theological and political quarrels within the Protestant camp, will be of central concern for this project. To answer this question, the project will analyse both Praetorius`s works and his activities as a musical conductor using more recent approaches to cultural studies. Of particular interest in this context will be the impact of princely desire for prestige, late humanist scholarly discourses and private piety. In a second step, the project examines musical, rhetorical and performative aspects of his sacred music, of which the liturgical and secular performance conditions will be reconstructed. Points of departure of the study`s musical analysis will be works that are symptomatic of the individual collections and characteristically represent positions of Lutheran art policy, from simple congregational singing (especially Musae Sioniae VI-VIII) to the representative polychoral and persuasive sound production with vocal and instrumental ensemble (Motectae et Psalmi latini, Musae Sioniae I-IV, Urania and Polyhymnia Caduceatrix et Panegyrica) and the preservation of the traditional Latin liturgical music (Missodia, Hymnodia, Eulogodia, Megalynodia). As a result of a close study of Praetorius`s music against the backdrop of its religious and political contexts, the project promises to provide new insights not only into the work of the composer and music scholar Praetorius, but also into a Lutheran musical culture, open to diverse cultural influence, as a whole.

该项目研究了三十年战争爆发前几年Michael Praetorius的宗教音乐的功能，礼仪和世俗背景。他非常多样化的工作，这还没有被系统地探讨，包括更传统的复调经文歌，超过一千个简单的谐音四部分设置，以及众多的赞美诗经文歌以及丰富的管弦乐神圣音乐会。特别是在后者中，Praetorius尝试了令人印象深刻的声音效果，将意大利和英国风格的音乐与典型的德国传统相结合。就其神学计划和神学方案而言，他的作品在世纪早期的德国几乎是无与伦比的。尽管如此，还没有人试图系统地研究这部作品，特别是考虑到它在美学、宗教和政治之间的独特交织。Praetorius是布伦瑞克-沃尔芬比特尔、德累斯顿和哈雷等路德派宫廷的音乐总监，他确实认为自己不仅是一位音乐家，也是一位神学家、学者和教育家。他的理论和肖像作品的一个中心问题是捍卫（路德）教会音乐，反对加尔文主义者要求将其使用限制在简单的赞美诗中。他的音乐作品在多大程度上同样受到当前宗教政治冲突的影响，并可被视为对当前宗教政治冲突的回应，特别是新教阵营内部的神学和政治争论，这将是该项目的核心关注点。为了回答这个问题，该项目将分析Praetorius的作品和他作为音乐指挥的活动，使用更近的文化研究方法。在这种背景下，特别感兴趣的是王子对声望的渴望，晚期人文主义学术话语和私人虔诚的影响。在第二步中，该项目审查了他的神圣音乐的音乐，修辞和表演方面，其中礼仪和世俗的表演条件将被重建。该研究的音乐分析的出发点将是个人收藏的症状和典型代表路德艺术政策的立场，从简单的会众歌唱作品（特别是Musae Sixtian VI-VIII）到代表性的多合唱和有说服力的声音制作与声乐和器乐合奏（Motectae等Psalmi latini，Musae Sibia I-IV，Urania和Polyhymnia Caduceatrix等Panegyrica）和传统的拉丁礼仪音乐（Missodia，Hymnodia，Eulogodia，Megalynodia）的保护。由于对Praetorius的音乐在其宗教和政治背景下进行了仔细研究，该项目不仅有望为作曲家和音乐学者Praetorius的工作提供新的见解，而且还将成为路德音乐文化，开放多元文化的影响，作为一个整体。