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Gestures of Dance - Dance as Gesture. Cultural and Aesthetic Translations in International Coproductions by the Tanztheater Wuppertal

舞蹈手势 - 舞蹈作为手势。

基本信息

批准号：
231419571
负责人：
Professorin Dr. Gabriele Klein
金额：
--
依托单位：
Arbeitsbereich Kultur, Medien und Gesellschaft
依托单位国家：
德国
项目类别：
Research Grants
财政年份：
2013
资助国家：
德国
起止时间：
2012-12-31 至 2016-12-31
项目状态：
已结题

来源：
https://gepris.dfg.de/gepris/projekt/231419571?language=en
关键词：
Gestures Dance Gesture.Cultural Aesthetic

项目摘要

The research project examines cultural and aesthetic processes of translating gestures based on fifteen international coproductions by the Tanztheater Wuppertal. The focus lies on urban everyday gestures, which the ensemble experienced and investigated in the specific cultural contexts of the co-producing countries and then subsequently integrated into their choreographies.With the help of exceptional empirical material, not yet available to a professional and scientific public like performance excerpts and choreographic paratexts, visual and written rehearsal notes, i.e. as yet unpublished archive material, which the Pina Bausch Foundation has offered to provide for this project, as well as further empirical data like audience surveys, interviews with dancers, personal notes made during rehearsals, online film and other visual material, the research project will examine the production of cultural knowledge and the forms and framings of intercultural understanding in and through dance gestures. This will be analyzed on three levels, the scenic performances of the dancers, the solo and group dances and the choreography, its temporal-rhythmic and spatial-architectural and interactive-figurational aspects.Instead of approaching the subject of gesture from an anthropological perspective, the research project seeks, on the one hand, to fundamentally contribute to a cultural and social theory of the gesture in the fields of dance studies and cultural sociology by examining the cultural and social aspects of gesture and their potential to permit intercultural understanding. On the other hand, the research project also aims to develop a conceptual understanding of gesture as a fundamental term of dance theory against the backdrop of whether cultural understanding is at all possible. By questioning the relationship of everyday gestures and dance gestures, the latter as an artistic gesture understood as a second construction of gestures (Brandstetter 2010, Fischer-Lichte 2010), the subject of gesture will be investigated in terms of its use in intercultural understanding with a main focus on performative and corporeal aspects.

该研究项目基于坦桑尼亚伍珀塔尔剧院的15部国际合拍片，考察了手势翻译的文化和美学过程。重点放在城市日常手势上，剧团在联合制作国家的特定文化背景下体验和调查这些手势，然后将其整合到他们的编舞中。借助专业和科学公众尚未获得的特殊经验材料，如表演节选和舞蹈部分，视觉和书面排练笔记，即皮纳·博施基金会为该项目提供的尚未出版的档案材料，以及进一步的经验数据，如观众调查、对舞者的采访、排练期间的个人笔记、网络电影和其他视觉材料，该研究项目将审查文化知识的产生，以及通过舞蹈手势进行跨文化理解的形式和框架。这项研究将从三个层面进行分析，舞者的精彩表演，独舞和集体舞以及编排，它的时间节奏和空间建筑以及互动的比喻方面。该研究项目不是从人类学的角度来探讨手势这一主题，而是一方面通过研究手势的文化和社会方面及其允许跨文化理解的潜力，寻求从根本上促进舞蹈研究和文化社会学领域的手势的文化和社会理论。另一方面，在文化理解是否可能的背景下，该研究项目也旨在发展对手势作为舞蹈理论的一个基本术语的概念性理解。通过质疑日常手势和舞蹈手势的关系，后者被理解为手势的第二种构造(Brandstetter 2010，Fischer-Lichte 2010)，手势的主题将从其在跨文化理解中的使用方面进行研究，主要关注表演性和肉体方面。