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Writing series: The Occupational Culture of Present-Day German Televised Entertainment

写作系列：当今德国电视娱乐的职业文化

基本信息

批准号：
240385277
负责人：
Professorin Dr. Regina Bendix
金额：
--
依托单位：
Institut für Kulturanthropologie/Europäische Ethnologie
依托单位国家：
德国
项目类别：
Research Units
财政年份：
2013
资助国家：
德国
起止时间：
2012-12-31 至 2016-12-31
项目状态：
已结题

来源：
https://gepris.dfg.de/gepris/projekt/240385277?language=en
关键词：
Writing series Occupational Culture Present

项目摘要

Based in cultural anthropology, this subproject researches the professional world of "series writers" in present-day German television. This term refers to a differentiated set of professions which are responsible for a broad set of tasks ranging from the development of narrative arcs to the composition of scripts and dialogues. Actors within these fields belong to the creative industries, a work context marked by the necessities of serial production. This context poses specific challenges to those acting within it: individual flexibility, versatility, and the capacity to perform under pressure. Series writing unfolds in a field of tensions characterized not only by collective creativity and the divided labor of television production, but also by remnants of the aura of individual authorship, and the economic dependencies of wage labor within a globalized market. Drawing from anthropological research on work and professions as well as interdisciplinary research on popular media and literature, the subproject seeks a deeper understanding of serial production, particularly in terms of authorization practices in television. Methodologically, the subproject draws on the empirical methods of cultural anthropology to document both individual/biographical experiences and the more general practices and techniques within the social field of series production. It seeks to understand television series from the perspective of those writing them and pursues this goal in combining interviews on professional biographies and participant observation with the analysis of teaching materials, ego-documents and fictionalized reflections on the nature of series production. The medium of television multiplies authorization practices into interlocking serial components that include narrative, technical, and performative dimensions. Each of these tasks makes demands on creative, artisanal and interpersonal competencies, and for each type of series divergent professional writing profiles may come together. Empirical data regarding actors' entry into the profession and their career trajectories provide insights into how hierarchies emerge, how they are experienced, and what kind of distinctions are drawn between different sub-profiles of series writing. Within the Research Unit, the subproject broadens the empirical focus from the quotidian integration of viewing Tatort (TP7) to the everyday context of series writing for German television. During the first research phase, the Research Unit looked at authorship in German pulp novels (Heftromane, TP6) and American comics (TP4); different authorizing practices, subject to another logic of production, have developed in the medium of television. The subproject cooperates particularly with the following projects of the second funding period: TP-EG3, which examines production aspects of serialized documentary formats; TP-KV3, which is concerned with temporality as an element of serial world building; TP-KV2, which investigates production processes of remakes on the basis of archival records and offers points of contrast and comparison for the analysis of paratexts; and TP-HG1, which addresses the valuation of formats – a matter of concern for the layout of historical periodicals no less than for television schedules and the corresponding authors' fees.

这个子项目以文化人类学为基础，研究当今德国电视中“系列剧作家”的职业世界。这个术语指的是一组不同的职业，负责从叙事弧的发展到剧本和对话的组成等广泛的任务。这些领域的演员属于创意产业，一种以系列生产的必要性为标志的工作环境。这种情况对在其中行动的人提出了具体的挑战：个人的灵活性、多功能性和在压力下工作的能力。电视剧创作在一个紧张的领域展开，其特点不仅是集体创造力和电视制作的分工，而且是个人作者光环的残余，以及全球化市场中雇佣劳动的经济依赖。该分项目利用关于工作和职业的人类学研究以及关于大众媒体和文学的跨学科研究，力求更深入地了解连续剧制作，特别是电视的授权做法。在方法上，该分项目借鉴文化人类学的经验方法，记录个人/传记经验以及连续剧制作社会领域内的一般做法和技术。它试图从那些写他们的角度来理解电视连续剧，并追求这一目标相结合的专业传记和参与者观察与教材，自我文件和虚构的系列生产的性质的反思分析访谈。电视媒介将授权实践倍增为环环相扣的系列组件，包括叙事、技术和表演维度。这些任务中的每一项都要求创造性，手工艺和人际交往能力，对于每一种类型的系列不同的专业写作概况可能会走到一起。关于演员进入这个行业及其职业轨迹的经验数据提供了关于等级制度如何出现的见解，他们是如何经历的，以及在系列写作的不同子剖面之间绘制了什么样的区别。在研究单位内，该子项目扩大了从观看Tatort（TP 7）到德国电视连续剧写作的日常背景的经验重点。在第一个研究阶段，研究单位着眼于作者在德国纸浆小说（Heftromane，TP 6）和美国漫画（TP 4）;不同的授权做法，受另一种生产逻辑，在电视媒体中发展。该分项目特别与第二个供资期的以下项目合作：TP-EG 3，审查系列化文件格式的制作方面; TP-KV 3，关注作为系列化世界建设要素的时间性; TP-KV 2，根据档案记录调查翻拍的制作过程，并为分析副文本提供对比和比较点;和TP-HG 1，它解决了格式的估值-一个关注的问题，历史期刊的布局不低于电视节目表和相应的作者的费用。