(Closet) Drama of the Early Modern Age (1500-1775)

在计划的延续中，该项目将集中在现代早期（世纪）最后阶段的（壁橱）戏剧。这一延续将使最初只实施两年的项目再延长一年。这样，就可以对整个时间段有一个概览。随着1775年之前的进一步个案研究（如Klopstock和Bodmer）的增加，这种阅读类型的历史细节和整个现代早期戏剧的系统方面可以完全展开。这是一个合理的扩张，因为关键的文化变革（像戏剧的文学化，戏剧壁橱戏剧的出现，新的阅读行为，戏剧和图书市场的制度化和专业化，批判的公众，等等）将成为明显的影响，他们的设计和印刷戏剧的效果。到目前为止，该项目能够工作的方向，戏剧从1500年到1730年走向（历史）主要是阅读接待，它是如何勾画在最初的应用。这是通过广泛的档案研究实现的。事实证明，戏剧文本的文本和视觉设计允许得出有关特定时间戏剧美学的结论，特别是关于它们作为文学文本的设计和效果。对18世纪世纪戏剧文本的历史研究可以更好地概括我们的研究结果，并对研究结果进行更充分的历史分配。通过这种扩展，可以对迄今为止所使用的阅读戏剧现象类型学进行历史文化的澄清。对戏剧、壁橱戏剧和戏剧文本等关键术语进行基本的专业论述的意图是发展新的和历史上有保障的论点。继续下去将有助于使项目的结果更加明显，并通过接触更熟悉的领域，从分析阅读的角度激发随后的体裁戏剧研究。

In the planned continuation, the project will focus the (closet) drama in the final phase of the early modern age (18th century). This continuation will expand the project, which was first applied only for two years, by an additional year. Thus an overview of the whole time period would be achieved. With the addition of further case studies till 1775 (like Klopstock and Bodmer) historic specifics of this reading genre and systematic aspects of the drama of the early modern age as a whole could be fully unfolded. It is a reasonable expansion, since crucial cultural changes (like the literarization of the theater, the emergence of emphatic closet dramas, the new reading behavior, the institutionalisation and professionalisation of the theater and the book market, the critical public, and so forth) will become apparent in their impact on the design and on the effect of the printed drama.Up until now the project was able to work the orientation of the drama from 1500 to 1730 towards a (historical) predominantly reading reception, how it was sketched in the initial application. This was achieved with extensive archival research. It turns out that the textual and visual design of dramatic texts allows drawing conclusions about the aesthetics of the theater at a given time and especially on their design and effect as literary texts. The historical studies of dramatic texts of the 18th century allow a better outline of our results and a more adequate historic allocation of the findings. With the expansion a historico-cultural clarification of the thus far used typology of reading drama phenomena can be achieved. The Intention of a fundamental professional discourse of such pivotal terms like drama, closet drama, and theater text is to develop new and historicaly secured arguments.The continuation shall help to make the results of the project more visible as well as to stimulate subsequent studies of the genre drama from a analytic reading perspective by reaching out in a more familiar terrain.