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Typology of the Subject in Russian Poetry of 1990-2010

1990-2010年俄罗斯诗歌主题类型学

基本信息

批准号：
273130507
负责人：
Professorin Dr. Henrieke Stahl
金额：
--
依托单位：
Rossijskoj Akademii Nauk
依托单位国家：
德国
项目类别：
Research Grants
财政年份：
2015
资助国家：
德国
起止时间：
2014-12-31 至 2017-12-31
项目状态：
已结题

来源：
https://gepris.dfg.de/gepris/projekt/273130507?language=en
关键词：
Typology Subject Russian Poetry 1990

项目摘要

Since 1990, Russian poetry has reached an intensity of development which is unique in its history. The borders of its genres and its functions are being transformed in a remarkable way. Caused by the challenges of Perestrojka on the one hand and by the postmillennial digital means of communication as well as social and political conditions on the other, the complexity of contemporary literature requires a rethinking of theoretical and methodological tools in philology. In spite of the fact that contemporary poetry, in comparison to other genres, is rarely being studied in depth, scholars have recognized its aesthetical and social relevance. Since 2010, a research network has been established that is dedicated to the problem of a methodologically reflected description of contemporary Russian poetry. The network is the basis for the proposal. The structures of contemporary poetry demand an approach that reveals its innovations by means of aesthetic parameters. The project aims to typologize the variety of contemporary poetry by the category of subject. This category has been selected because the subject which is traditionally considered as constitutive for lyrical poetry and which is believed to be negated by postmodernism, has gained fundamental significance in contemporary poetry as well as in current research on poetry. Contemporary poetry requires a broad concept of "poetry", which includes all texts with a poetical denomination (for this reason we prefer to use the terms "poetical texts" or "Dichtung"). "Subject" is used as a broader term that allows the application of various literary and linguistic theories and methods in correlation to the diversity of poetic phenomena. "Subject" designates the so-called "speaker" as well as more abstract forms of subjectivity. The project analyses forms and devices used by the poetical expression of the subject from the point of view of literary and linguistic studies, in the German and Russian proposals, respectively. Comparative and transcultural issues help to reveal the specifics of contemporary Russian poetry. Due to similar historical conditions, German poetry seems to be most appropriate for comparison. The results will be contextualized through a comparison with the expression of the subject in other genres of contemporary literature and in philosophy. The realization of this project is possible only through the coordinated teamwork of a research network. The project's network includes literary scholars and linguists from the field of Slavonic studies as well as some scholars of German philology and philosophy. The cooperation with the Russian partner is synergetic but preserves the autonomy of both sides. The German project part will result in a collective monograph, a thematic volume and a special issue of the journal Russian Literature.

自1990年以来，俄罗斯诗歌的发展达到了历史上独一无二的高度。它的体裁和功能的边界正在以一种引人注目的方式发生变化。当代文学的复杂性一方面是由于“改革”的挑战，另一方面是由于千禧年后的数字传播手段以及社会和政治条件的影响，需要对文献学的理论和方法工具进行重新思考。尽管与其他体裁相比，当代诗歌很少被深入研究，但学者们已经认识到它的美学和社会意义。自2010年以来，建立了一个研究网络，致力于用方法反映当代俄罗斯诗歌的描述问题。该网络是该提案的基础。当代诗歌的结构需要一种通过审美参数来揭示其创新的方法。该项目旨在通过主题类别对当代诗歌的多样性进行类型学分类。之所以选择这一范畴，是因为这一传统上被认为是抒情诗的组成部分，并被后现代主义所否定的主题，在当代诗歌和当前的诗歌研究中具有根本意义。当代诗歌需要一个广义的“诗”概念，它包括所有具有诗性名称的文本（因此我们更喜欢使用“诗性文本”或“诗性文本”这一术语）。“主体”是一个更广泛的术语，它允许应用各种文学和语言学理论和方法来与诗歌现象的多样性相关。“主体”指的是所谓的“说话者”以及更为抽象的主体性形式。该项目分别从文学和语言学研究的角度分析了德国和俄罗斯提案中诗歌表达的形式和手段。比较和跨文化问题有助于揭示当代俄罗斯诗歌的特点。由于相似的历史条件，德国诗歌似乎是最适合比较的。结果将通过与当代文学和哲学中其他流派的主题表达的比较来进行语境化。只有通过一个研究网络的协调合作，才能实现这个项目。该项目的网络包括斯拉夫研究领域的文学学者和语言学家，以及一些德国语言学和哲学学者。与俄罗斯伙伴的合作是协同的，但保留了双方的自主权。德国项目部分将产生一个集体专著，一个专题卷和俄罗斯文学杂志的特刊。