Sculpture of the Eighteenth Century in Germany

德国十八世纪雕塑

• 批准号: 280826705
• 负责人: Professor Dr. Roland Kanz
• 金额: --
• 依托单位: Kunsthistorisches Institut
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2015
• 资助国家: 德国
• 起止时间: 2014-12-31 至 2017-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/280826705?language=en
• 关键词: Sculpture; Eighteenth; Century; Germany

Sculpture of the eighteenth century in Germany shows outstanding productivity in comparison with other European countries. The research project is a new attempt after more than a half century to give a new overview based on advanced art-historical and media analysis throug-hout the heterogeneous, multifaceted and innovative sculptural production in the German territorial states of the eighteenth century. Therefore, this century will be studied as a unity of change (contrary to the usual division into Baroque/Rococo versus Neo-Classicism) to point out more precisely all the traditions and consistencies, as well as all the breakings and paradoxes. The aim of the research project is to test the genus field of sculpture, new methodological approaches that recognize the three-dimensional medium in its proper role, beyond the one-sided focus of visual studies on the two-dimensional image, like the» iconic turn« used to do. Figurative sculpture conveys in its specific form, as well as with its spatial and narrative contexts a knowledge about art that shows complex solutions for sculptural functions throughout the Age of Enlightenment. The study investigates foundations to understand sculpture as a system of visual readings.

世纪德国的雕塑与其他欧洲国家相比，表现出杰出的生产力。该研究项目是一个新的尝试后，超过半个世纪，给一个新的概述的基础上先进的艺术历史和媒体分析houg-hout的异质性，多方面的和创新的雕塑生产在德国领土国家的十八世纪。因此，这个世纪将作为一个变化的统一体来研究（与通常的巴洛克/洛可可与新古典主义的划分相反），以更准确地指出所有的传统和混乱，以及所有的断裂和悖论。该研究项目的目的是测试雕塑的属域，新的方法论方法，认识到三维介质在其适当的作用，超越视觉研究的片面重点对二维图像，像“图标转向”用来做。具象雕塑以其特定的形式，以及其空间和叙事背景传达了一种关于艺术的知识，这种知识显示了整个启蒙时代雕塑功能的复杂解决方案。这项研究探讨了理解雕塑作为一个视觉阅读系统的基础。

项目成果

Bauskulptur als semantische Optimierung

建筑雕塑作为语义优化

• DOI: 10.14361/9783839448595-020
• 发表时间: 2019
• 期刊: »Absolutely Free«? - Invention und Gelegenheit in der Kunst
• 作者: Roland Kanz