A historical-descriptive study of the relationship between authorship and translation in German poetry from the early modern period to modernity
A historical-descriptive study of the relationship between authorship and translation in German poetry from the early modern period to modernity
批准号:
19K00499
负责人:
テルゲ クラウス
金额:
$2.08万
依托单位:
依托单位国家:
日本
项目类别:
Grant-in-Aid for Scientific Research (C)
财政年份:
2019
资助国家:
日本
项目状态:
已结题
起止时间:
2019-04-01 至 2020-03-31
中文摘要
在第一年,研究项目是根据研究计划进行的,并进行了灵活的调整和修改。从2019年4月到2019年6月,重点是研究中世纪和早期现代思想中的作者和翻译的早期形式和最新理论。今年7月,我在科比大学与DFG -“转型中的抒情诗”高级研究中心共同举办的“当代诗歌翻译的新视野”会议上发表了我以前对当代德国诗歌翻译实验形式的研究成果。这导致10月在早稻田大学和12月在莫斯科的俄罗斯科学院语言学研究所举行的另外两次会议。8月和9月,我在德国做了一次研究,这为我在2019年10月至2020年3月期间完成的着名的De Gruyter系列Grundthemen der Literaturwissenschaft的贡献奠定了基础。本文阐述了我的研究项目的框架:在作者身份理论中,译者一直处于一个令人惊讶的边缘地位,特别是如果考虑到作者身份解放的历史一直是一部将翻译从原文中解放出来的历史。该项目探讨的问题是,在说话和与他者的话,并通过写作主体发现其创造性的自主性,同时启动作为作者的自我建构的过程。
英文摘要
In its first year, the research project was conducted according to the research plan with flexible adjustments and revisions. From April 2019 to June 2019, the focus was on examining early forms and recent theories of authorship and translation in medieval and early modern thinking. In July, I presented the results of my former research on experimental forms of translation in contemporary German poetry at the conference on New Horizons of Translation in Contemporary Poetry, held at Kobe University, hosted together with the DFG - Centre for Advanced Studies “Lyric in Transition”. This led to the invitation to two further conferences at Waseda University in October, and the Institute of Linguistics of the Russian Academy of Sciences in Moscow in December. In August and September, I did a research stay in Germany, which formed the groundwork for a contribution to the prestigious De Gruyter series Grundthemen der Literaturwissenschaft I completed from October 2019 to March 2020. The essay addresses the framework of my research project: In the theory of authorship, the translator has taken a surprisingly marginal role, especially if one considers that the history of the emancipation of authorship has always been a history of freeing the translation from the original text. The project explores the question of how in speaking and being with and through the words of the Other, the writing-subject discovers its creative autonomy and at the same time initiates the process of self-constitution as author.
期刊论文(8)
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会议论文
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Ubersetzen als Entharmonisierungsstrategie: Hans Magnus Enzensbergers poesie impure.
Ubersetzen als Entharmonisierungsstrategie:汉斯·马格努斯·恩岑斯伯格的诗不纯粹。
DOI:
--
发表时间:
2019
期刊:
Internationales Archiv fur Sozialgeschichte der deutschen Literatur
影响因子:
0.2
作者:
[Villa Aurora, Thomas Mann House e.V., 井村まなみ, 熊野谷葉子, 岡本真理, Eric Avocat, 山崎明日香, Claus Telge]
通讯作者:
Claus Telge
DOI:
--
发表时间:
2018
期刊:
影响因子:
--
作者:
[岡島慶, 岡島慶, Kei Okajima, Kei Okajima, Kei Okajima, 岡島慶, 岡島慶, 朴珣英, 朴珣英, 朴珣英, 朴珣英, 朴珣英, 朴珣英, 朴珣英, 朴珣英, Claus TELGE, Claus TELGE, Clas TELGE, Claus Telge]
通讯作者:
Claus Telge
Grenzuberwindende Kombinatorik: Das Sonett als transkulturelle Gattung.
Grenzuberwindende Kombinatorik:Das Sonett als transkulturelle Gattung。
DOI:
--
发表时间:
2019
期刊:
影响因子:
--
作者:
[YAMAZAKI, Asuka, 岡本真理, Eric Avocat, Claus Telge]
通讯作者:
Claus Telge
The Divided Poet: Translations of Pablo Neruda into German by Erich Arendt and Hans Magnus Enzensberger.
《分裂的诗人:埃里希·阿伦特和汉斯·马格努斯·恩岑斯伯格将巴勃罗·聂鲁达译成德文》。
DOI:
--
发表时间:
2019
期刊:
影响因子:
--
作者:
[Claus Telge]
通讯作者:
Claus Telge
Displaced Writing. Surface Translation as Post-Conceptual Recriture in Contemporary German Poetry.
流离失所的写作。
DOI:
--
发表时间:
2019
期刊:
Sound/Writing: traduire-ecrire entre le son et le sens, Homophonic Translation - Traducson - Oberflaechenuebersetzung
影响因子:
--
作者:
[OMIYA, Kanichiro, Claus Telge]
通讯作者:
Claus Telge
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