A historical-descriptive study of the relationship between authorship and translation in German poetry from the early modern period to modernity

在第一年，研究项目是根据研究计划进行的，并进行了灵活的调整和修改。从2019年4月到2019年6月，重点考察了中世纪和早期现代思维中的作者和翻译的早期形式和最近的理论。7月，我在神户大学举行的当代诗歌翻译新视野会议上展示了我以前对当代德国诗歌翻译实验形式的研究成果，该会议由DFG高级研究中心共同主办，名为《过渡中的抒情》。这导致了10月在早稻田大学和12月在莫斯科的俄罗斯科学院语言研究所举行的另外两次会议的邀请。8月和9月，我在德国做了一次研究，这为我在2019年10月至2020年3月完成的著名的德格鲁伊特系列作品《文学的主题》奠定了基础。这篇文章阐述了我的研究项目的框架：在作者身份理论中，译者扮演了令人惊讶的边缘角色，特别是如果人们考虑到作者身份解放的历史一直是一部将翻译从原文中解放出来的历史。该项目探讨了写作主体如何在说话、与他人说话和通过他者的话语中发现自己的创作自主性，同时启动作为作者的自我构成的过程。

In its first year, the research project was conducted according to the research plan with flexible adjustments and revisions. From April 2019 to June 2019, the focus was on examining early forms and recent theories of authorship and translation in medieval and early modern thinking. In July, I presented the results of my former research on experimental forms of translation in contemporary German poetry at the conference on New Horizons of Translation in Contemporary Poetry, held at Kobe University, hosted together with the DFG - Centre for Advanced Studies “Lyric in Transition”. This led to the invitation to two further conferences at Waseda University in October, and the Institute of Linguistics of the Russian Academy of Sciences in Moscow in December. In August and September, I did a research stay in Germany, which formed the groundwork for a contribution to the prestigious De Gruyter series Grundthemen der Literaturwissenschaft I completed from October 2019 to March 2020. The essay addresses the framework of my research project: In the theory of authorship, the translator has taken a surprisingly marginal role, especially if one considers that the history of the emancipation of authorship has always been a history of freeing the translation from the original text. The project explores the question of how in speaking and being with and through the words of the Other, the writing-subject discovers its creative autonomy and at the same time initiates the process of self-constitution as author.