Aesthetics of the Roma: Literature, Comic and Film of Roma in Latin Europe

罗姆人(这里理解为异名，包括辛提族、罗姆人、卡莱族、卡尔德拉什族、马努赫族等所有亚族)形成了拥有近1200万人口的欧洲最大的少数民族。虽然东南欧罗姆人的生活条件基本上不稳定，但生活在西南欧的很大一部分罗姆人已经融入各自的多数社会，他们大多久坐不动，说当地语言。然而，那里的吉普赛人也继续面临着巨大的偏见和种族主义怨恨。文学研究通常通过分析吉普赛人的主题或主题、他们的生活方式、习俗和传统来研究吉普赛人和文学，这些主题是由占多数的社会的作者在文学文本中提出的。拟议的科学网络的视角有不同的侧重点，正在为浪漫文学研究提供新的科学基础：研究小组的目的将是提出对拉丁美洲罗姆人不同美学的第一次全面研究。为了实现这一点，需要探索异质刻板印象对罗姆人在文学、漫画和电影中的审美自我表征的影响。重点是来自拉丁欧洲的罗马人的作品，这些作品是用罗曼语占多数的语言写成的，因此与来自占多数的社会的艺术家的作品在美学上形成了高度有趣的对比。这种对比比较的方法意味着一方面平衡自我与他者之间的异同、获得、影响和分离，另一方面平衡审美技巧和程序。由于吉普赛人的社会是非常不同的，所以有各种各样的吉普赛人文化；同样地，我们不得不谈到许多，部分是非常不同的美学。这种多样性和异质性通过重点关注具有多种语言和文学和电影传统的拉丁欧洲而得到加强，因此该网络小组基本上是相对工作的。罗姆尼艺术的特点是超越了文化、语言和中间边界。因此，中介性和跨文化方面以及少数群体、散居者、被排斥、边缘和移徙等领域都将非常重要。为了研究吉普赛文学、漫画和电影的美学特征和独特性，这项研究工作的学科定位将是明确的文学方向，尽管它与媒体和文化研究很接近。

The Roma (understood here as heteronym that includes all subgroups such as Sinti, Roma, Calé, Kalderash, Manouche, etc.) form with almost twelve million people the largest ethnic minority in Europe. While the living conditions of the Roma are primarily precarious in South Eastern Europe, a large proportion of Roma living in South Western Europe has integrated into the respective majority societies, lives mostly sedentary and speaks the local languages. Nevertheless, Roma also there continue to face massive prejudices and racist resentments.Literary Studies usually work on the subject Roma and literature by analysing the motif or topic of "Gypsies", their ways of life, customs and traditions in literary texts by authors of the majority society. The perspective of the proposed scientific network is focused differently and is providing new scientific ground in Romance Literary Studies: The aim of the research group will be to present the first comprehensive study of the different aesthetics of Roma in Latin Europe. To achieve this, the effects of heterostereotypes on the aesthetic self-representation of Roma in literature, comic and film need to be explored. The focus is on works by Roma from Latin Europe, which were written in the Romance majority languages and therefore are in an aesthetically highly interesting contrast with works by artists from the majority society. This contrastive comparative approach means balancing similarities and differences, acquisitions, influences and separations between self and other on the one hand and aesthetic techniques and procedures on the other. Since Romani societies are quite heterogeneous, there are a variety of Romani cultures; in the same way we have to speak of many, partly very different aesthetics. This diversity and heterogeneity is reinforced by focusing on Latin Europe, with its multitude of languages and literary and cinematic traditions, so that the network group is basically working comparatively. Romani art is characterized by the excess of cultural, linguistic and medial borders. Therefore the aspects intermediality and interculturality will be of great importance as well as the areas of minorities, diasporas, exclusion, peripherals and migration. With the objective to work out the aesthetic characteristics and peculiarities of Romani literature, comic and film, the disciplinary orientation of the research work will be a decidedly literary one despite the proximity to Media and Cultural Studies.