Art technical research on easel painting of the Nazarene Movement

拿撒勒运动架上绘画艺术技术研究

• 批准号: 390400115
• 负责人: Dr. Eva Reinkowski-Häfner
• 金额: --
• 依托单位: Lehrstuhl für Kunstgeschichte, insb. für Neuere und Neueste Kunstgeschichte
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2017
• 资助国家: 德国
• 起止时间: 2016-12-31 至 2021-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/390400115?language=en
• 关键词: Art; technical; research; easel; painting

The project Art technical research on easel painting of the Nazarene Movement is sited at the University of Bamberg s Institute of Archaeology, Heritage Sciences and Art History with the Department of Conservation Science and its affiliated Competence Centre; this offers an interdisciplinary approach involving art history, conservation and science. The object of research is the painting technique of the Nazarene movement. They were the first 19th century artists to engage with mediaeval and Renaissance German and Italian Masters in their work. These painters hoped to revitalise art with their religious orientation and with their adoption of the 15th and 16th century painting.Previous research has treated their easel-painting technique as a variant of the classical academic oil painting of the early 19th century. Their recourse to the painting of German Old Masters and that of the Italian Early Renaissance, however, suggests that they followed the example of the Old Masters in their adoption of painting technique and use of materials. The question now is whether they also developed their own new way of easel-painting based on the painting technique of the Old Masters, as has already been documented regarding their wall-painting. The question of the development of an individual painting style and of the use of materials and painting technique shall be established by a comparison of paintings from the Viennese and Roman periods in the works of Peter Cornelius, Julius Schnorr von Carolsfeld, Johann Friedrich Overbeck, Franz Pforr, Ludwig Vogel and Wilhelm Schadow. It will not only be attempted to come as close as possible to the work in the studio, but also to the artistic environment, the available opportunities for getting hold of painting materials, as well as the painter s intentions in the selection of materials and the significance that material and painting technique held for the Nazarenes.There is now the possibility to make technical investigations and comparisons of paintings from a variety of museums. A combination of methods from various disciplines shall be employed, namely research into literature and sources, the examination of the paintings surfaces and the scientific investigation of the materials, whereby non-destructive methods of scientific investigation shall be tried out.These investigations will allow conclusions to be drawn about the painting technique of the Nazarenes easel-painting as well as illustrating its influence on the whole of the 19th century.

拿撒勒运动架上绘画艺术技术研究项目位于班贝格大学考古学、遗产科学和艺术史研究所，保护科学系及其附属能力中心;这提供了一种涉及艺术史、保护和科学的跨学科方法。研究的对象是拿撒勒运动的绘画技巧。他们是第一个世纪艺术家从事与中世纪和文艺复兴时期的德国和意大利大师在他们的工作。这些画家希望通过他们的宗教取向和他们对15和16世纪绘画的采用来振兴艺术。以前的研究将他们的架上绘画技术视为19世纪早期古典学院派油画的变体。他们求助于德国老大师和意大利早期文艺复兴时期的绘画，然而，这表明他们在采用绘画技术和使用材料方面遵循了老大师的榜样。现在的问题是，他们是否也发展了自己的新的方式架上绘画的基础上，绘画技术的老大师，因为已经记录了他们的壁画。个人绘画风格的发展以及材料和绘画技术的使用问题，将通过比较彼得·科尼利厄斯、朱利叶斯·施诺尔·冯·斯菲尔德、约翰·弗里德里希·奥弗贝克、弗朗茨·普福尔、路德维希·沃格尔和威廉·沙多的作品中维也纳和罗马时期的绘画来确定。它不仅会试图尽可能接近工作室的工作，而且还接近艺术环境，获得绘画材料的可用机会，以及画家在材料选择上的意图，以及材料和绘画技术对拿撒勒人的意义。现在有可能对来自各种各样的绘画进行技术调查和比较。博物馆.综合运用多学科的方法，即文献资料研究、画面检查和材料科学调查，借此，应尝试非破坏性的科学调查方法。这些调查将允许得出关于拿撒勒人画架绘画技术的结论-绘画以及说明其对整个世纪的影响。