A) Theatrum mundi - mundus theatri.Constitutive Conditions of the Drama around 1700 B) "Weltanschauung" and Text Production.Forming - Narratives - Distribution

A)该项目涉及巴洛克和早期启蒙运动之间的戏剧，这是一个被忽视的类型，并要求1700年左右的形式和历史话语的构成条件。这部戏剧非常适合这样的研究，因为它的体裁发展从格里菲乌斯和洛亨斯坦的殉道者戏剧开始，以戈特谢德对启蒙运动问题的文本范例结束，从基督论、救赎论和末世历史的角度出发，进入了一个尚未确定的文学功能和条件的设定。在这里，一种新的戏剧和戏剧文化组织发生了，相应地，必须重新编码其“当代性”。因此，从媒介和知识历史的角度来看，最近获得的戏剧文学数量成为关注的焦点。它对制定策略的文化实践和在场的文本效果都有重要的影响。尤其重要的是，所有这些方面都使人们对文学和文史的描述模式产生了疑问，这种模式经常并且仍然将1700年左右的时期归类为所谓的退化和危机阶段。为此目的，该项目特别考虑到那些很少被探索或根本没有被探索的文本。B)该项目关注世界观话语的历史形成及其在文学和新闻文本生产中的出现，这在其自我反思中显著地决定了现代性的进程。该项目的目标是具体的文本形式和表现惯例，对文化历史影响的综合叙述，以及特定的分发过程和公众处理方式。预计会议将被设计为一个国际和跨学科的论坛，它集中了科学，书籍，媒体和新闻史的相关观点，并将它们与文学研究的分析专业知识相辅相成。

A) The project deals with the drama between Baroque and early Enlightenment, which is a neglected genre, and asks for the constitutive conditions of form and historical discourse around 1700. The drama is quite suitable for such a study because it leads - in its genre-related development beginning with Gryphius's and Lohenstein's martyr drama and ending with Gottsched's textual example for issues of the Enlightenment - from a Christological, salvific and end time history perspective to a still undetermined setting of literary functions and conditions. Here, a new organisation of drama and theatre culture takes place and, accordingly, has to recode its "contemporariness". Therefore and from a viewpoint of media and knowledge history, the amount of the recently acquired Theatrum-Literature comes into focus. It has a significant influence on the cultural practice of enactment strategies and on the textual effects of presence. Not least, all these aspects serve to problematize that descriptive pattern of literary and époque history that often and still classifies the period around 1700 as an alleged phase of degeneration and crisis. For this purpose, the project considers especially those texts which yet have been rarely explored or not at all.B) The project is concerned with the historical formations of the discourse of Weltanschauung and its occurrence within literary and journalistic text production, which significantly determines the process of modernity in its self-reflexions. The project aims at the specific textual formation and conventions of representation, at the comprehensive narratives of cultural-historical influence as well as the particular processes of distribution and the modalities of public treatment. The projected conference is designed as an international and interdisciplinary forum, which concentrates the relevant perspectives from science, book, media and press history and puts them in a complementary relation with the analytical expertise of literary studies.