A) Theatrum mundi - mundus theatri.Constitutive Conditions of the Drama around 1700 B) "Weltanschauung" and Text Production.Forming - Narratives - Distribution

A)该项目涉及巴洛克和早期启蒙运动之间的戏剧，这是一个被忽视的体裁，并要求形式的构成条件和1700年左右的历史话语。这部戏剧非常适合于这样的研究，因为它在体裁方面的发展从格里菲斯和勒恩斯坦的殉难者戏剧开始，以哥茨凯德关于启蒙运动问题的文本例子结束-从基督论、救世论和末日历史的角度引导到一个仍然未确定的文学功能和条件的设定。在这里，一种新的戏剧和戏剧文化组织发生了，相应地，它必须重新编码它的“当代性”。因此，从传媒史和知识史的角度来看，最近获得的戏剧文学的数量成为关注的焦点。它对设定策略的文化实践和在场的语篇效果有着重要的影响。尤其重要的是，所有这些方面都给文学史的描述性模式带来了问题，这种模式经常将1700年左右的时期归类为所谓的堕落和危机阶段。为此目的，该项目特别考虑那些很少被探索或根本没有被探索的文本。b)该项目涉及世界观话语的历史形成及其在文学和新闻文本生产中的出现，这在很大程度上决定了现代性的自我反思过程。该项目的目标是具体的文本构成和表述惯例，文化-历史影响的综合叙述，以及特定的分配过程和公共待遇方式。计划中的会议被设计为一个国际跨学科论坛，集中了来自科学、书籍、媒体和新闻史的相关观点，并使它们与文学研究的分析专门知识处于互补关系。

A) The project deals with the drama between Baroque and early Enlightenment, which is a neglected genre, and asks for the constitutive conditions of form and historical discourse around 1700. The drama is quite suitable for such a study because it leads - in its genre-related development beginning with Gryphius's and Lohenstein's martyr drama and ending with Gottsched's textual example for issues of the Enlightenment - from a Christological, salvific and end time history perspective to a still undetermined setting of literary functions and conditions. Here, a new organisation of drama and theatre culture takes place and, accordingly, has to recode its "contemporariness". Therefore and from a viewpoint of media and knowledge history, the amount of the recently acquired Theatrum-Literature comes into focus. It has a significant influence on the cultural practice of enactment strategies and on the textual effects of presence. Not least, all these aspects serve to problematize that descriptive pattern of literary and époque history that often and still classifies the period around 1700 as an alleged phase of degeneration and crisis. For this purpose, the project considers especially those texts which yet have been rarely explored or not at all.B) The project is concerned with the historical formations of the discourse of Weltanschauung and its occurrence within literary and journalistic text production, which significantly determines the process of modernity in its self-reflexions. The project aims at the specific textual formation and conventions of representation, at the comprehensive narratives of cultural-historical influence as well as the particular processes of distribution and the modalities of public treatment. The projected conference is designed as an international and interdisciplinary forum, which concentrates the relevant perspectives from science, book, media and press history and puts them in a complementary relation with the analytical expertise of literary studies.