A) Theatrum mundi - mundus theatri.Constitutive Conditions of the Drama around 1700 B) "Weltanschauung" and Text Production.Forming - Narratives - Distribution

A) Theatrum mundi - mundus theatri. 1700 年左右戏剧的构成条件 B) “Weltanschauung” 和文本制作. 形成 - 叙事 - 发行

• 批准号: 392948579
• 负责人: Privatdozent Dr. Christian Meierhofer
• 金额: --
• 依托单位: Abteilung Neuere deutsche Literaturwissenschaft
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2018
• 资助国家: 德国
• 起止时间: 2017-12-31 至 2022-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/392948579?language=en
• 关键词: Theatrum; mundi; mundus; theatri.Constitutive; Conditions

A) The project deals with the drama between Baroque and early Enlightenment, which is a neglected genre, and asks for the constitutive conditions of form and historical discourse around 1700. The drama is quite suitable for such a study because it leads - in its genre-related development beginning with Gryphius's and Lohenstein's martyr drama and ending with Gottsched's textual example for issues of the Enlightenment - from a Christological, salvific and end time history perspective to a still undetermined setting of literary functions and conditions. Here, a new organisation of drama and theatre culture takes place and, accordingly, has to recode its "contemporariness". Therefore and from a viewpoint of media and knowledge history, the amount of the recently acquired Theatrum-Literature comes into focus. It has a significant influence on the cultural practice of enactment strategies and on the textual effects of presence. Not least, all these aspects serve to problematize that descriptive pattern of literary and époque history that often and still classifies the period around 1700 as an alleged phase of degeneration and crisis. For this purpose, the project considers especially those texts which yet have been rarely explored or not at all.B) The project is concerned with the historical formations of the discourse of Weltanschauung and its occurrence within literary and journalistic text production, which significantly determines the process of modernity in its self-reflexions. The project aims at the specific textual formation and conventions of representation, at the comprehensive narratives of cultural-historical influence as well as the particular processes of distribution and the modalities of public treatment. The projected conference is designed as an international and interdisciplinary forum, which concentrates the relevant perspectives from science, book, media and press history and puts them in a complementary relation with the analytical expertise of literary studies.

A）该项目涉及巴洛克和早期启蒙运动之间的戏剧，这是一个被忽视的体裁，并要求1700年左右的形式和历史话语的构成条件。戏剧是非常适合这样的研究，因为它导致-在其类型相关的发展开始与Gryphius和Lohenstein的烈士戏剧和结束与Gottsched的文本例子的问题，启蒙运动-从基督论，救赎和结束时间的历史角度来看，文学功能和条件仍然不确定的设置。在这里，一个新的戏剧和戏剧文化的组织发生了，因此，必须重新编码其“当代性”。因此，从媒介和知识史的角度来看，最近获得的戏剧文学的数量成为焦点。它对制定策略的文化实践和在场的文本效果有着重要的影响。尤其是，所有这些方面都使文学史和时代史的描述模式成为问题，这种模式经常而且仍然将1700年左右的时期归类为所谓的退化和危机阶段。B）该项目关注世界观话语的历史形成及其在文学和新闻文本生产中的发生，这在很大程度上决定了现代性自我反思的进程。该项目的目的是具体的文本形式和惯例的代表性，在文化历史影响的全面叙述，以及特定的分配过程和公共处理的方式。预计会议的目的是作为一个国际和跨学科的论坛，集中从科学，图书，媒体和新闻史的相关观点，并把它们与文学研究的分析专业知识的互补关系。