Agonal communities. Collective formations in press texts and prompt books of Hamburg's theatre between 1765 and 1806

阿戈纳尔社区。

• 批准号: 397694679
• 负责人: Privatdozent Dr. Martin Schneider
• 金额: --
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2018
• 资助国家: 德国
• 起止时间: 2017-12-31 至 2021-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/397694679?language=en
• 关键词: Agonal; communities.; Collective; formations; press

The project aims to analyze which specific forms of antagonistic social formations emerged in the late 18th century through the example of historic press texts and prompt books of Hamburg’s stage. Corresponding to those two types of sources, the project will be subdivided into two parts. The first will investigate the structures of conflict development in the public space of theatre by exploring central events between the years 1765 and 1806. The main focus of the analysis will be the diverse concepts of community in Hamburg’s theatre journalism as well as the resulting competitive relationship between different media and also the conflicts between press, audience, actors and direction. The communication strategies, which are used by theatre journalism to enforce its standpoints and thus contribute to the escalation and de-escalation of public disputes, will therefore become the focal points.By taking a closer look at theatre scripts from the 18th century, the second part will utilize a little explored source. The project situates them in the collective process of production and reception in theatre. It will attempt to examine how mediality and communicative structures in the scripts uncover the competition between fictional, medial and discursive forms of theatrical community building through a genre-crossing selection of representative works of Hamburg’s theatre collection To conclude the analysis, both subdivisions of the project will be evaluated jointly through a comprehensive perspective: which divergences and convergences exist between the public and aesthetic constitutions of antagonistic theatre communities? Through this approach, the project hopes to gain new insights about the political aesthetic of theatre.The project is to be based at the University of Hamburg’s Institute for German studies, with a requested duration of three years. To supplement a full-time research position for the project, additional funds will be made available for a student assistant. The scope of work will include the selection of relevant source materials in archives as well as their analysis. Leveraging the network of national and international collaborators plays a central role in the project. In a workshop, the phenomenon of antagonistic theatre communities will be examined from a transhistorical perspective. It will lay the foundation for the creation of an international call, which will facilitate the preparation of a research group for the topic. The results of the project will be published in two books: the applicant will write a monography, which will analyze the constitutions of antagonistic communities in theatre of the 18th century through the example of Hamburg. Furthermore, a volume collecting the contributions from the workshop and examining the phenomenon’s relationship with 19th century and current theatre will also be published.

该项目旨在通过历史新闻文本和汉堡舞台提示书籍的例子来分析 18 世纪末出现了哪些具体形式的对抗性社会形态。对应这两类来源，项目将分为两部分。第一部分将通过探索1765年至1806年间的中心事件来调查戏剧公共空间中冲突发展的结构。分析的主要焦点将是汉堡戏剧新闻中的社区的多样化概念以及由此产生的不同媒体之间的竞争关系以及媒体、观众、演员和导演之间的冲突。因此，戏剧新闻用来强化其立场、从而有助于公共争议升级和缓和的传播策略将成为焦点。 通过仔细研究 18 世纪的戏剧剧本，第二部分将利用一些已探索过的资料。该项目将他们置于剧院制作和接受的集体过程中。它将试图通过对汉堡戏剧收藏中代表性作品的跨流派选择，探讨剧本中的媒体性和传播结构如何揭示戏剧社区建设的虚构、媒体和话语形式之间的竞争。为了总结分析，项目的两个细分部分将通过一个全面的视角来共同评估：对抗性戏剧的公众和审美构成之间存在哪些分歧和趋同。 社区？通过这种方式，该项目希望获得关于戏剧政治美学的新见解。该项目将设在汉堡大学德国研究所，要求持续三年。为了补充该项目的全职研究职位，将为学生助理提供额外资金。工作范围将包括档案中相关原始材料的选择及其分析。利用国内和国际合作者网络在该项目中发挥着核心作用。在研讨会上，将从跨历史的角度审视敌对剧院社区的现象。它将为创建国际电话会议奠定基础，从而促进该主题研究小组的准备。该项目的成果将出版在两本书中：申请人将撰写一本专着，通过汉堡的例子来分析18世纪戏剧中敌对社区的构成。此外，还将出版一本收集研讨会贡献并探讨这一现象与 19 世纪和当前戏剧关系的书。