'al fresco gemahlt[e] ... Helden=Geschichten': The myths of Troy and Aeneas in the baroque wall and ceiling painting

al fresco gemahlt[e] ... 英雄=故事：巴洛克墙壁和天花板绘画中的特洛伊和埃涅阿斯神话

• 批准号: 398473018
• 负责人: Dr. Julia Fischer
• 金额: --
• 依托单位: Science Support Centre
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2018
• 资助国家: 德国
• 起止时间: 2017-12-31 至 2020-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/398473018?language=en
• 关键词: al; fresco; gemahlt; ...; Helden=Geschichten

The ancient legends, and especially the legend of the Trojan War, provide a huge number of heroes, which could be used as identification figures for representing the prestige and self-importance of a ruler. Besides the great warriors such as Achilles and Hector, the Trojan virtuous hero Aeneas should also be mentioned. The project investigates how the ancient legends were used as a strategic tool in the ruler’s representation. The depictions of Aeneas and the Trojan War, focused on the courtly wall and ceiling painting, are analysed using case studies from the territories of the Holy Roman Empire and comparisons with European pictorial programs. Based on the assumption that the ancient myths have been the shared foundation of the European culture, the project examines the individual and flexible adaption of the topics to the particular representative, spatial, ceremonial and confessional contexts. Focused on the myths around the Trojan War and the story of Aeneas, the project will primarily investigate why that subject matter was taken up in the courtly depictions and how it was received and adapted in the wall and ceiling painting in the Holy Roman Empire.The project considers three main aspects. The basic question concerns the depictions’ iconographic and iconological meaning, but also the social and spatial context and the ceremonial functions of the respective rooms are of central importance. The third aspect is concerned with the artistic transfer processes and with the question, which European paintings have been used as a model. It aims to obtain a better understanding of the reception, adaption and transformation of already developed patterns in form and content.

古代的传说，特别是特洛伊战争的传说，提供了大量的英雄，可以用来作为代表统治者的威望和自我重要性的识别数字。除了阿喀琉斯、赫克托耳等伟大的战士外，特洛伊的贤德英雄埃涅阿斯也值得一提。该项目调查了古代传说如何被用作统治者代表的战略工具。埃涅阿斯和特洛伊战争，集中在宫廷的墙壁和天花板绘画，进行了分析，使用案例研究，从神圣罗马帝国的领土，并与欧洲的图片程序的比较。基于古代神话是欧洲文化的共同基础这一假设，该项目考察了主题对特定代表性，空间，仪式和忏悔背景的个性化和灵活适应。该项目的重点是围绕特洛伊战争和埃涅阿斯的故事的神话，主要研究为什么这个主题被宫廷装饰所采用，以及它是如何在神圣罗马帝国的墙壁和天花板绘画中被接受和改编的。该项目考虑了三个主要方面。基本的问题涉及到建筑物的图像学和图像学意义，但社会和空间背景以及各个房间的仪式功能也至关重要。第三个方面是关于艺术转移过程和问题，欧洲绘画被用作模型。其目的是更好地了解在形式和内容上已经发展起来的模式的接受、适应和转变。